Head (Mural Study, U.S. Department of Justice)

Henry Varnum Poor, Head (Mural Study, U.S. Department of Justice), ca. 1935-1936, fresco, Smithsonian American Art Museum, Gift of the artist, 1965.28
Henry Varnum Poor, Head (Mural Study, U.S. Department of Justice), ca. 1935-1936, fresco, 1212 in. (30.530.5 cm), Smithsonian American Art Museum, Gift of the artist, 1965.28

Artwork Details

Title
Head (Mural Study, U.S. Department of Justice)
Date
ca. 1935-1936
Dimensions
1212 in. (30.530.5 cm)
Credit Line
Gift of the artist
Mediums
Mediums Description
fresco
Classifications
Subjects
  • Figure female — head
  • Study — mural study
  • New Deal — Treasury Section of Painting and Sculpture — Washington, D.C.
Object Number
1965.28

Artwork Description

Henry Varnum Poor made this study of a working woman’s head in preparation for a Justice Department mural titled Anti-Trust. The final panel shows poor people selling fruit in the foreground while men clad in top hats and suits read market reports in the background. In this study we can see the care that Poor took in planning the workers’ facial expressions. He drew the woman’s chiseled profile with strong outlines and hatch marks that throw into sharp relief the effects of long hours of work. The green cloth encircling her head frames her face to further emphasize her exhausted expression.

Poor used the ancient technique of fresco painting in both this study and the finished mural. The process involved dissolving dry pigments in water and applying them to wet plaster. Poor was one of the few muralists working in fresco in New York at this time, and a national advisory committee of museum directors selected him to decorate the Department of Justice Building using the technique. Poor’s assignment was particularly challenging as he had to decorate long, narrow upright panels on either side of four doorways, along with small connecting over-door spaces. He met these challenges, and the Washington Post hailed his murals as a “signal success” with his “very deft arrangement of . . . forms and materials.” (Graeme, “12 Murals Completed for Justice Department,” The Washington Post, September 27, 1936)

Works by this artist (744 items)

William Zorach, The Builder (study for Chase Bank), ca. 1960, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.29
The Builder (study for Chase Bank)
Dateca. 1960
cast and patinated plaster
On view
William Zorach, Small Head, ca. 1958-1962, carved stone, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.9
Small Head
Dateca. 1958-1962
carved stone
On view
William Zorach, Study for Head of Moses, ca. 1950, unfired ceramic, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.161
Study for Head of Moses
Dateca. 1950
unfired ceramic
On view
William Zorach, Floating Figure, 1922, cast plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.3
Floating Figure
Date1922
cast plaster
On view

More Artworks from the Collection

Mitchell Jamieson, Workers-Slotters Machine, n.d., charcoal on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.362
Workers-Slotters Machine
Daten.d.
charcoal on paper
Not on view
Robert L. Bailey, Untitled (Seated Nude), charcoal on paper, Smithsonian American Art Museum, Gift of the artist, 1981.25
Untitled (Seated Nude)
charcoal on paper
Not on view
Léon-Daniel Saubès, Head of John the Baptist, 1915, charcoal on paper, Smithsonian American Art Museum, Gift of the Republic of France, 1915.11.73
Head of John the Baptist
Date1915
charcoal on paper
Not on view
Boardman Robinson, Billy Sunday in Action, 1915, brush and ink and charcoal on paper mounted on paperboard, Smithsonian American Art Museum, Museum purchase, 1974.2.1
Billy Sunday in Action
Date1915
brush and ink and charcoal on paper mounted on paperboard
Not on view