King Cophetua and the Beggar Maid

Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, 24 1218 in. (62.245.7 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
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Artwork Details

Title
King Cophetua and the Beggar Maid
Date
by 1906 or 1907
Dimensions
24 1218 in. (62.245.7 cm)
Credit Line
Gift of John Gellatly
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Literature — Percy — Reliques of Ancient English Poetry
  • Animal — horse
  • Occupation — other — aristocrat
  • Figure group
  • Landscape — water
Object Number
1929.6.99

Artwork Description

King Cophetua and the Beggar Maid may have been commissioned by the art collector John Gellatly, who was an enthusiastic supporter of contemporary American art around the turn of the twentieth century. Albert Pinkham Ryder worked on this painting for more than five years, and x-rays of the canvas show that it was painted over two other images. Ryder was inspired by the story of King Cophetua from an Elizabethan ballad that tells of love overcoming all odds. In the tale, a king of Africa falls in love with a beautiful young beggar maid and marries her, despite her lowly status. Ryder was a hopeless romantic and believed wholeheartedly in love at first sight. In this painting he chose the scene when the king first notices the young girl to show that people’s lives could change in just one moment. (Broun, Albert Pinkham Ryder, 1989)

Works by this artist (6 items)

Hubert Morley, Science Building, Chicago Fair, 1933, etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.622
Science Building, Chicago Fair
Date1933
etching
Not on view
Hubert Morley, Track Crew, n.d., etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.234
Track Crew
Daten.d.
etching
Not on view
Hubert Morley, Wind in the Willows, n.d., etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.232
Wind in the Willows
Daten.d.
etching
Not on view
Hubert Morley, When Greek Meets Greek, 1935, etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.624
When Greek Meets Greek
Date1935
etching
Not on view

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George Catlin, Portrait of a Gentleman, ca. 1830, watercolor on ivory, Smithsonian American Art Museum, Gift of Bernard N. Burnstine, 1946.1.1
Portrait of a Gentleman
Dateca. 1830
watercolor on ivory
Not on view
Moses B. Russell, Portrait of a Gentleman, 1842, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1940.9.2
Portrait of a Gentleman
Date1842
watercolor on ivory
Not on view
George Catlin, William Wilson, ca. 1826, watercolor on ivory, Smithsonian American Art Museum, Museum purchase, 1980.126.1
William Wilson
Dateca. 1826
watercolor on ivory
Not on view
Unidentified, William H. McCardle, ca. 1835, watercolor on ivory, Smithsonian American Art Museum, Bequest of Annie Fort McCardle, 1964.12.1
William H. McCardle
Artist
Unidentified
Dateca. 1835
watercolor on ivory
Not on view