Unveiling of the Statue of Liberty

Edward Moran, Katherine Westphal, Unveiling of the Statue of Liberty, 1964, cotton, Smithsonian American Art Museum, Gift of Katherine Westphal Rossbach, 1972.15
Katherine Westphal, Edward Moran, Unveiling of the Statue of Liberty, 1964, cotton, 92 3466 12 in. (235.5168.9 cm.), Smithsonian American Art Museum, Gift of Katherine Westphal Rossbach, 1972.15

Artwork Details

Title
Unveiling of the Statue of Liberty
Artists
Copy after Edward Moran
Date
1964
Location
Not on view
Dimensions
92 3466 12 in. (235.5168.9 cm.)
Credit Line
Gift of Katherine Westphal Rossbach
Mediums
Mediums Description
cotton
Classifications
Subjects
  • Monument — statue — Statue of Liberty
Object Number
1972.15

Artwork Description

For me the most important thing is the creativity, the invention, the imagination, not perfecting the thing and making it right.
--Katherine Westphal

Katherine Westphal assembled this patchwork quilt from snippets of fabric printed with designs she created for the commercial textile industry. The image is a riff on American artist Edward Moran's patriotic painting of the Statue of Liberty's 1886 dedication, in which the statue towers above a harbor crowded with boats and American flags. Westphal's Lady Liberty seems appalled as she gazes at the chaos below, a comment perhaps on the meaning of liberty at the height of the civil rights movement.
Westphal, who described herself as a "free spirit," spent eight years designing fabrics for the apparel industry and taught for over a decade at the University of California, Davis. In the late 1950s she began making quilts and was soon transferring images from her own photographs and mass media sources to fabric in clever transformations of conventional quiltmaking practice.

Works by this artist (3 items)

Katherine Westphal, Seven Camels Find Buried Treasure, 1977, color photocopy, panné velvet, cotton, and dyes, Smithsonian American Art Museum, Gift of the artist, 1984.99
Seven Camels Find Buried Treasure
Date1977
color photocopy, panné velvet, cotton, and dyes
Not on view
Katherine Westphal, Dragon Eyes, 1988, synthetic raffia, Smithsonian American Art Museum, Gift of Eleanor T. and Samuel J. Rosenfeld, 2002.8.15
Dragon Eyes
Date1988
synthetic raffia
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

More Artworks from the Collection

Michael Cummings, Haitian Mermaid # 2, 1996, machine pieced, quilted, and appliquéd commercial and hand-dyed cotton, synthetic and antique fabrics, found objects, sequins, and beads, Smithsonian American Art Museum, Gift of Dorothy Dent Goodson, 2002.59
Haitian Mermaid # 2
Date1996
machine pieced, quilted, and appliquéd commercial and hand-dyed cotton, synthetic and antique fabrics, found objects, sequins, and beads
On view
Louise Nez, Reservation Scene, 1992, commercial yarn, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.189
Reservation Scene
Date1992
commercial yarn
Not on view
Florence Riggs, Bill Foutz, Shiprock Trading Post, 1992, commercial yarn, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.194
Bill Foutz, Shiprock Trading Post
Date1992
commercial yarn
Not on view
Anni Albers, Ancient Writing, 1936, cotton and rayon, Smithsonian American Art Museum, Gift of John Young, 1984.150
Ancient Writing
Date1936
cotton and rayon
Not on view