Untitled, from the portfolio Indian Self-Rule

Jaune Quick-To-See Smith, Untitled, from the portfolio Indian Self-Rule, 1983, color lithograph on paper, image: 27 1419 14 in. (69.248.9 cm), Smithsonian American Art Museum, Gift of the Institute of the American West, 1984.78.3, © Jaune Quick-To-See Smith

Artwork Details

Title
Untitled, from the portfolio Indian Self-Rule
Date
1983
Location
Not on view
Dimensions
image: 27 1419 14 in. (69.248.9 cm)
Copyright
© Jaune Quick-To-See Smith
Credit Line
Gift of the Institute of the American West
Mediums Description
color lithograph on paper
Classifications
Subjects
  • Animal — buffalo
Object Number
1984.78.3

Works by this artist (4 items)

Frank E. Cummings III, Ode to Today, 1993, ebony, 18k gold, pearls, and imperial topaz, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.7A-C
Ode to Today
Date1993
ebony, 18k gold, pearls, and imperial topaz
Not on view
Frank E. Cummings III, On the Edge Naturally, 1990, kingwood burl, 18k gold, and mother-of-pearl, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler, 2002.66A-B
On the Edge Naturally
Date1990
kingwood burl, 18k gold, and mother-of-pearl
Not on view
Frank E. Cummings III, Lady Lace with New Shoes, 1989, black walnut, ivory, gold and onyx, Smithsonian American Art Museum, Gift of George Peter Lamb and Lucy Scardino in memory of Natalie Rust Lamb, 1995.100.4
Lady Lace with New Shoes
Date1989
black walnut, ivory, gold and onyx
Not on view
Carousel: Age of Awareness
Date1994
walnut, ebony, black onyx, 18K gold, pearl rubellite
Not on view

Exhibitions

Media - 1985.66.404 - SAAM-1985.66.404_1 - 9039
Picturing the American Buffalo: George Catlin and Modern Native American Artists
October 11, 2019March 13, 2020
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.