Sag Harbor

Saul Steinberg, Sag Harbor, 1969, watercolor and rubber stamp and ink on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.99
Saul Steinberg, Sag Harbor, 1969, watercolor and rubber stamp and ink on paper, sheet: 3040 in. (76.2101.6 cm), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.99

Artwork Details

Title
Sag Harbor
Date
1969
Location
Not on view
Dimensions
sheet: 3040 in. (76.2101.6 cm)
Credit Line
Gift of the Sara Roby Foundation
Mediums
Mediums Description
watercolor and rubber stamp and ink on paper
Classifications
Subjects
  • Landscape — New York — Sag Harbor
Object Number
1986.6.99

Artwork Description

Although Saul Steinberg is best known as the New Yorker cartoonist whose fanciful people and animals captured the masquerades of modern life, he was also concerned with the impact of development of the land. Sag Harbor, named for a town on Long Island, offers two conflicting views. Five small images (Steinberg called them “Postcards”) of an empty plain contrast with a larger view of a built environment that bears no traces of nature. Between them is a handwritten script that presumably clarifies the message. But the ever-witty Steinberg confounds the explanation. The script as well as the “signature” and official-looking stamp are indecipherable.


Modern American Realism: The Sara Roby Foundation Collection, 2014

Works by this artist (3 items)

LeRoy Robbins, Fence Post, 1936, gelatin silver print, Smithsonian American Art Museum, Museum purchase made possible by Dr. Frederick R. Wulson, Miss Ellen R. Wheeler, Florence Adele Wetmore and Wells M. Sawyer, 1990.12.2, © 1936, Leroy Robbins
Fence Post
Date1936
gelatin silver print
Not on view
LeRoy Robbins, Folded Hillside, 1936, gelatin silver print, Smithsonian American Art Museum, Museum purchase made possible by Dr. Frederick R. Wulson, Miss Ellen R. Wheeler, Florence Adele Wetmore and Wells M. Sawyer, 1990.12.1, © 1936, Leroy Robbins
Folded Hillside
Date1936
gelatin silver print
Not on view
LeRoy Robbins, Poles, Taos New Mexico, 1968, gelatin silver print, Smithsonian American Art Museum, Gift of Sandra Haas Berler, 1989.72, © 1986, Leroy Robbins
Poles, Taos New Mexico
Date1968
gelatin silver print
Not on view