Nothing that is wrong in principle can be right in practice.” – Carl Schurz, 1829 – 1906. From the series Great Ideas of Western Man.

Charmion Von Wiegand, "Nothing that is wrong in principle can be right in practice."--Carl Schurz, 1829-1906. From the series Great Ideas of Western Man., 1966, oil and pencil on canvas, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.300
Charmion Von Wiegand, "Nothing that is wrong in principle can be right in practice."--Carl Schurz, 1829-1906. From the series Great Ideas of Western Man., 1966, oil and pencil on canvas, 49 7827 18 in. (126.868.8 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.300

Artwork Details

Title
Nothing that is wrong in principle can be right in practice.” – Carl Schurz, 1829 – 1906. From the series Great Ideas of Western Man.
Date
1966
Dimensions
49 7827 18 in. (126.868.8 cm)
Credit Line
Gift of Container Corporation of America
Mediums
Mediums Description
oil and pencil on canvas
Classifications
Subjects
  • Abstract — geometric
Object Number
1984.124.300

Artwork Description

Charmion von Wiegand was entranced with "the multiplicity of things which lie just beyond the world of appearance." For her, art was a way of tapping into the underlying structures of the universe and revealing its spiritual essence.

The title of this painting refers to the work of Carl Schurz, the journalist, statesman, and reformer who was known for his advocacy of idealism in American civic life.

Works by this artist (1 item)

Laura Peery, Wall Flowers at the Last Dance, 1978, hand-built and slab-built porcelain colored with oxides and stains, and ribbons, and satin, Smithsonian American Art Museum, Gift of the artist, 1981.86A-F
Wall Flowers at the Last Dance
Date1978
hand-built and slab-built porcelain colored with oxides and stains, and ribbons, and satin
Not on view

More Artworks from the Collection

Rudolf Staffel, Light Gatherer, 1985, hand-built translucent porcelain, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1987.43
Light Gatherer
Date1985
hand-built translucent porcelain
On view
Ron Fondaw, Fingers, 1978, thrown, slip-cast, and salt-glazed porcelain, Smithsonian American Art Museum, Gift of Suzanne Kores, 1981.18
Fingers
Date1978
thrown, slip-cast, and salt-glazed porcelain
Not on view
Henry Lyman, Coupling Pots, 1979, porcelain with barium-copper glaze, Smithsonian American Art Museum, Gift of the artist, 1981.56A-D
Coupling Pots
Date1979
porcelain with barium-copper glaze
Not on view
Catharine Hiersoux, Columns, 1979, wheel-thrown, assembled, and glazed porcelain, Smithsonian American Art Museum, Gift of an anonymous donor, 1980.61.4
Columns
Date1979
wheel-thrown, assembled, and glazed porcelain
Not on view