Maquette for Barking Sands

Peter Voulkos, Maquette for Barking Sands, ca. 1977, hammered, welded and patinated bronze, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.30, © 1977, Peter Voulkos
Copied Peter Voulkos, Maquette for Barking Sands, ca. 1977, hammered, welded and patinated bronze, 14 7⁄8 x 43 x 10 1⁄4 in. (37.8 x 109.2 x 26.0 cm), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.30, © 1977, Peter Voulkos

Artwork Details

Title
Maquette for Barking Sands
Artist
Date
ca. 1977
Location
Dimensions
14 7⁄8 x 43 x 10 1⁄4 in. (37.8 x 109.2 x 26.0 cm)
Copyright
© 1977, Peter Voulkos
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums
Mediums Description
hammered, welded and patinated bronze
Classifications
Subjects
  • Study — sculpture model
  • Abstract
Object Number
1977.47.30
Linked Open Data
https://edan.si.edu/saam/id/object/1977.47.30

Artwork Description

In 1975 the General Services Administration commissioned Peter Voulkos to create a sculpture for the Prince Jonah Kuhio Kalanianaole Federal Building and U.S. Courthouse in Honolulu. The architects envisioned "a voluptuous bronze or dark metal piece" (quoted in Thalacker, The Place of Art in the World of Architecture, 1980). Voulkos named this work Barking Sands after the airfield where he and his "old buddies" were stationed during World War II. The geometric, curving forms were designed to be seen not only from the plaza, but also from high above in the building. The art community in Honolulu loved the sculpture but wanted it to be more visible, so they moved it to the inland side of the building in 1978. The completed work measures 6 by 5 by 25 feet.

Exhibitions

Media - 1979.159.44 - SAAM-1979.159.44_1 - 56988
Sculpture Down to Scale: Models for Public Art at Federal Buildings, 1974 – 1985
May 31, 2019–November 22, 2020
Smithsonian American Art Museum
Artists used preliminary models—or maquettes—to communicate their ideas.