Maquette for Barking Sands

Peter Voulkos, Maquette for Barking Sands, ca. 1977, hammered, welded and patinated bronze, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.30, © 1977, Peter Voulkos
Peter Voulkos, Maquette for Barking Sands, ca. 1977, hammered, welded and patinated bronze, 14 784310 14 in. (37.8109.226.0 cm), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.30, © 1977, Peter Voulkos

Artwork Details

Title
Maquette for Barking Sands
Date
ca. 1977
Dimensions
14 784310 14 in. (37.8109.226.0 cm)
Copyright
© 1977, Peter Voulkos
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums
Mediums Description
hammered, welded and patinated bronze
Classifications
Subjects
  • Abstract
  • Study — sculpture model
Object Number
1977.47.30

Artwork Description

In 1975 the General Services Administration commissioned Peter Voulkos to create a sculpture for the Prince Jonah Kuhio Kalanianaole Federal Building and U.S. Courthouse in Honolulu. The architects envisioned "a voluptuous bronze or dark metal piece" (quoted in Thalacker, The Place of Art in the World of Architecture, 1980). Voulkos named this work Barking Sands after the airfield where he and his "old buddies" were stationed during World War II. The geometric, curving forms were designed to be seen not only from the plaza, but also from high above in the building. The art community in Honolulu loved the sculpture but wanted it to be more visible, so they moved it to the inland side of the building in 1978. The completed work measures 6 by 5 by 25 feet.

Works by this artist (3 items)

Ray Strong, San Francisco from Russian Hill, ca. 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.89.9
San Francisco from Russian Hill
Dateca. 1934
oil on canvas
On view
Ray Strong, San Francisco from Russian Hill, ca. 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.102
San Francisco from Russian Hill
Dateca. 1933-1934
oil on canvas
Not on view
Ray Strong, Golden Gate Bridge, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.50
Golden Gate Bridge
Date1934
oil on canvas
Not on view

Exhibitions

Media - 1979.159.44 - SAAM-1979.159.44_1 - 56988
Sculpture Down to Scale: Models for Public Art at Federal Buildings, 1974 – 1985
May 31, 2019November 22, 2020
Artists used preliminary models—or maquettes—to communicate their ideas.

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Picking Cotton with Boss Men
Date2007
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Not on view
Flag Spectre
Date2015
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Radcliffe Bailey, Untitled, 2022, mixed media including flock, oil stick, acrylic paint on tarp, with steel railroad tracks, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2024.23.2A-B, © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York.
Untitled
Date2022
mixed media including flock, oil stick, acrylic paint on tarp, with steel railroad tracks
Not on view
Radcliffe Bailey, Up From, 2015, canvas tarpaulin, velvet, Georgia clay, wood, rock, metal, thread, rum, and tobacco, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2024.23.1A-D, © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York.
Up From
Date2015
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On view