Thornbush Blues Totem

John Scott, Thornbush Blues Totem, 1990, painted steel, 97 3463 1237 12 in. (248.3161.495.3 cm.), Smithsonian American Art Museum, Museum purchase, 1994.34

Artwork Details

Title
Thornbush Blues Totem
Artist
Date
1990
Location
Not on view
Dimensions
97 3463 1237 12 in. (248.3161.495.3 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
painted steel
Classifications
Subjects
  • Abstract
Object Number
1994.34

Artwork Description

Scott learned well the lessons of his blues and jazz sources. The brightly colored surfaces of Thornbush Blues Totem not only define the relationship among the cut and bent metal parts; the sequencing of color also echoes the way musicians modulate tempo and pace. Blue and orange establish structure; the varying distances between stripes and bands are intervals that quicken or slow the pulsing cadence. For him, interval, rhythm, and space are interdependent elements in a swirling dance of color and form.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (4 items)

Charles White, The Children, 1950, ink and graphite on paper, Smithsonian American Art Museum, Gift of Julie Seitzman and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2009.13
The Children
Date1950
ink and graphite on paper
Not on view
Charles White, Love Letter, 1971, color lithograph on paper, Smithsonian American Art Museum, Gift of June Wayne, 1991.179.14, © 1971, Heritage Gallery, Los Angeles
Love Letter
Date1971
color lithograph on paper
Not on view
Charles White, Love Letter, 1971, color lithograph on paper, Smithsonian American Art Museum, Gift of June Wayne, 1991.179.15, © 1971, Heritage Gallery, Los Angeles
Love Letter
Date1971
color lithograph on paper
Not on view
Charles White, Hasty B, 1970, lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1979.155.1
Hasty B
Date1970
lithograph on paper
Not on view

More Artworks from the Collection

Lee Godie, To the Dynamic Sarlo (Woman in Red with Decorated Hat), 1960s, oil and acrylic on canvas, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.22
To the Dynamic Sarlo (Woman in Red with Decorated Hat)
Date1960s
oil and acrylic on canvas
Not on view
Barry Dalgleish, Interior with Trunk, 1984, acrylic and oil on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.84.2
Interior with Trunk
Date1984
acrylic and oil on canvas
Not on view
Stanley Edwards, Infant in Altar IV, 1965, oil and acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1980.137.24
Infant in Altar IV
Date1965
oil and acrylic on canvas
Not on view