La Curandera

Carmen Lomas Garza, La Curandera, ca. 1974, hand-colored etching and aquatint on paper, Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.60, © 1974, Carmen Lomas Garza
Carmen Lomas Garza, La Curandera, ca. 1974, hand-colored etching and aquatint on paper, image: 13 7817 34 in. (35.345 cm) sheet: 16 1220 38 in. (41.951.8 cm), Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.60, © 1974, Carmen Lomas Garza

Artwork Details

Title
La Curandera
Date
ca. 1974
Location
Not on view
Dimensions
image: 13 7817 34 in. (35.345 cm) sheet: 16 1220 38 in. (41.951.8 cm)
Copyright
© 1974, Carmen Lomas Garza
Credit Line
Gift of Tomás Ybarra-Frausto
Mediums Description
hand-colored etching and aquatint on paper
Classifications
Subjects
  • Figure group
  • Occupation — medicine
  • Occupation — religion
  • State of being — illness
  • Architecture Interior — domestic — bedroom
  • Recreation — church — prayer
Object Number
1995.50.60

Works by this artist (1 item)

Chuck Ramirez, Breakfast Tacos, from the series Seven Days, 2003, printed 2012, inkjet print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.14, © 2003, Estate of Charles Ramirez
Breakfast Tacos, from the series Seven Days
Date2003, printed 2012
inkjet print
Not on view

Exhibitions

Media - 2012.53.1 - SAAM-2012.53.1_1 - 82036
¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now
November 20, 2020August 8, 2021
In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today.

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Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
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Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
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Eel Fisherman
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