¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now

This exhibition is the first to unite historic civil rights era prints alongside works by contemporary printmakers, including several that embrace expanded graphics that exist beyond the paper substrate. While the dominant mode of printmaking among Chicanx artists remains screen-printing, this exhibition features works in a wide range of techniques and presentation strategies, from installation art, to public interventions, augmented reality and shareable graphics that circulate in the digital realm. The exhibition also is the first to consider how Chicanx mentors, print centers and networks nurtured other artists, including several who drew inspiration from the example of Chicanx printmaking.

Artists and collectives featured in the exhibition include Rupert García, Malaquias Montoya, Ester Hernandez, the Royal Chicano Air Force, Elizabeth Sisco, Louis Hock, David Avalos, Sandra C. Fernández, Juan de Dios Mora, the Dominican York Proyecto GRAFICA, Enrique Chagoya, René Castro, Juan Fuentes, and Linda Lucero, among others.

¡Printing the Revolution! features 119 works drawn from SAAM’s leading collection of Latinx art. The museum’s Chicanx graphics holdings rose significantly with an important gift in 1995 from the renowned scholar Tomás Ybarra-Frausto. Since then, other major donations and an ambitious acquisition program has built one of the largest museum collections of Chicanx graphics on the East Coast.

This exhibition is organized by E. Carmen Ramos, acting chief curator and curator of Latinx art at the Smithsonian American Art Museum, with Claudia Zapata, curatorial assistant for Latinx art. A major catalogue accompanies the exhibition with essays by Ramos and Zapata, as well as contributions by Tatiana Reinoza, assistant professor of art history at the University of Notre Dame; and Terezita Romo, an art historian, curator, and writer.

Note: ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now was originally scheduled to open to the public in September 2020. The Smithsonian closed all its museums on March 14, 2020 as a public health precaution due to the global pandemic, which delayed the exhibition opening to November 20. ¡Printing the Revolution! was open for three days before the Smithsonian closed again on November 23. It re-opened for a final run from May 14 through August 8, 2021.