Suction, the Epicurean, from Illustrations to the songs of William Blake’s Island in the Moon”

Charles Seliger, Suction, the Epicurean, from Illustrations to the songs of William Blake's "Island in the Moon", 1945, white ink on black ink on paper, Smithsonian American Art Museum, Gift of Michael Rosenfeld, 1992.53.13
Charles Seliger, Suction, the Epicurean, from Illustrations to the songs of William Blake's "Island in the Moon", 1945, white ink on black ink on paper, sheet: 1411 in. (35.627.9 cm), Smithsonian American Art Museum, Gift of Michael Rosenfeld, 1992.53.13

Artwork Details

Title
Suction, the Epicurean, from Illustrations to the songs of William Blake’s Island in the Moon”
Date
1945
Location
Not on view
Dimensions
sheet: 1411 in. (35.627.9 cm)
Credit Line
Gift of Michael Rosenfeld
Mediums
Mediums Description
white ink on black ink on paper
Classifications
Subjects
  • Figure
  • Fantasy
  • Literature — Blake — Island in the Moon
  • Literature — character — Suction
Object Number
1992.53.13

Artwork Description

At age nineteen, Charles Seliger drew illustrations for songs from the unfinished satire, An Island in the Moon by William Blake (1757-1827), an English poet, painter, and printmaker.
Written around 1785, the manuscript combines classical Greek satire with a critique of one of the intellectual salons of the London bourgeoisie. Each of Seliger’s drawings depict one or more of the absurdly named characters from Blake’s fictional island, some of whom also represent friends and contemporaries of the author. Suction, the Epicurean, for example, is believed to correspond to Blake’s brother Robert, and Quid, the Cynic refers to Blake himself.
Blake’s song lyrics range from vulgar to menacing to humorous. While Old Corruption is considered an allegory for sin, the song for which Seliger drew O, I Say You Joe, Throw Us the Ball was the first recorded poem to focus on cricket, an English bat-and-ball sport.

Abstract Drawings, 2012

Works by this artist (5 items)

Portrait of the Black Madonna
Date1987
oil and collage on canvas
Not on view
The Long Rows
Date1966
oil on canvas
Not on view
Benny Andrews, Growing Up, from the portfolio Impressions: Our World, Volume I, 1973, etching and aquatint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.23
Growing Up, from the portfolio Impressions: Our World,…
Date1973
etching and aquatint on paper
Not on view
Washload
Date1970
etching on paper
Not on view

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