Carlos, from the series Spanish Harlem

Joseph Rodríguez, Carlos, from the series Spanish Harlem, 1987, chromogenic print, Smithsonian American Art Museum, Gift of the artist, 1996.81.3, © 1987, Joseph Rodriguez
Joseph Rodríguez, Carlos, from the series Spanish Harlem, 1987, chromogenic print, image: 1218 in. (30.445.6 cm) sheet: 1620 in. (40.650.8 cm), Smithsonian American Art Museum, Gift of the artist, 1996.81.3, © 1987, Joseph Rodriguez

Artwork Details

Title
Carlos, from the series Spanish Harlem
Date
1987
Location
Not on view
Dimensions
image: 1218 in. (30.445.6 cm) sheet: 1620 in. (40.650.8 cm)
Copyright
© 1987, Joseph Rodriguez
Credit Line
Gift of the artist
Mediums Description
chromogenic print
Classifications
Subjects
  • Cityscape
  • Cityscape — New York — New York
  • Figure — fragment — arm
  • Dress — accessory — tattoo
  • Architecture Exterior — commercial — skyscraper
  • Cityscape — New York — Spanish Harlem
Object Number
1996.81.3

Works by this artist (1036 items)

William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, For India and China, ca. 1944-1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.662
For India and China
Dateca. 1944-1945
oil on paperboard
On view

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013March 2, 2014
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

More Artworks from the Collection

Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view
William H. Johnson, Seated Woman in Orange Print Dress, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.281
Seated Woman in Orange Print Dress
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Seated Female Nude with Gold Necklace and Auburn Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.197
Seated Female Nude with Gold Necklace and Auburn Hair
Dateca. 1939-1940
tempera on paperboard
Not on view