Vase in Brown and White

Thomas Hoadley, Vase in Brown and White, 1981, colored porcelain, Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.5
Thomas Hoadley, Vase in Brown and White, 1981, colored porcelain, 9 145 38 in. (23.513.7 cm) diam., Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.5

Artwork Details

Title
Vase in Brown and White
Date
1981
Location
Not on view
Dimensions
9 145 38 in. (23.513.7 cm) diam.
Credit Line
Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery
Mediums
Mediums Description
colored porcelain
Classifications
Object Number
1997.109.5

Artwork Description

Thomas Hoadley used the Japanese technique of nerikomi to create the delicate lines of color in this vessel. He stacked thousands of thin layers of colored clay to create a "loaf," then cut the loaf into thin slices and assembled the pieces to create the bowl's final form. Hoadley started using this labor-intensive technique in the early 1980s, and feels that it creates an "organic union of pattern and structure." His pieces from this period often comprise three colors, and exhibit spirals, stripes, or checkerboard compositions. In Vase in Brown and White, Hoadley created a pattern that evokes feathers or shells, whose organic form inspired many of Hoadley's later artworks.

Works by this artist (5 items)

Paula McCartney, Brewer's Blackbird, 2006, chromogenic print, Smithsonian American Art Museum, Gift of the artist, 2010.46A-B, © 2010, Paula McCartney
Brewer’s Blackbird
Date2006
chromogenic print
Not on view
Paula McCartney, American Goldfinches, 2008, chromogenic print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.44.4A-B, © 2010, Paula McCartney
American Goldfinches
Date2008
chromogenic print
Not on view
Paula McCartney, Vermilion Flycatchers, 2006, chromogenic print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.44.3A-B, © 2010, Paula McCartney
Vermilion Flycatchers
Date2006
chromogenic print
Not on view
Paula McCartney, Winter Bluebirds, 2005, chromogenic print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.44.2A-B, © 2010, Paula McCartney
Winter Bluebirds
Date2005
chromogenic print
Not on view

More Artworks from the Collection

Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
gelatin silver print
Not on view
Keith Sharp, Times, from the series Same While Different, 2000, diptych with toned gelatin silver prints, Smithsonian American Art Museum, Gift of the artist, 2002.77.3A-B, © 2000 Keith Sharp
Times, from the series Same While Different
Date2000
diptych with toned gelatin silver prints
Not on view