Vessel #453

Max Krimmel, Vessel #453, 1997, lathe-turned Colorado alabaster with satine (bloodwood), Smithsonian American Art Museum, Gift of the Krimmel Family, 1998.131
Max Krimmel, Vessel #453, 1997, lathe-turned Colorado alabaster with satine (bloodwood), 8 1216 in. (21.640.6 cm) diam., Smithsonian American Art Museum, Gift of the Krimmel Family, 1998.131

Artwork Details

Title
Vessel #453
Artist
Date
1997
Dimensions
8 1216 in. (21.640.6 cm) diam.
Credit Line
Gift of the Krimmel Family
Mediums Description
lathe-turned Colorado alabaster with satine (bloodwood)
Classifications
Object Number
1998.131

Artwork Description

Max Krimmel’s process involves roughing out the rock with an air chisel, then using carbide-tipped scrapers and finer tools for the actual turning. The thin rim of bloodwood, added to the piece before the final polishing, accents the soft colors of the stone and the thinness of the alabaster, which is often less than 3/16 of an inch thick. Krimmel’s alabaster is so fragile that it often shatters on the lathe, and the artist is resigned to losing as many as twenty percent of his pieces this way.

Works by this artist (6 items)

Jorge Soto Sánchez, El Velorio de Oller en Nueva York, 1974, revised 1984, hand-colored screenprint, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.60.1, © Hermiñia Ramos
El Velorio de Oller en Nueva York
Date1974, revised 1984
hand-colored screenprint
Not on view
Jorge Soto Sánchez, Untitled, after 1976, paint, felt-tipped pen and pencil on paper, Smithsonian American Art Museum, Gift of Hermiñia Ramos, 2013.57, © Hermiñia Ramos
Untitled
Dateafter 1976
paint, felt-tipped pen and pencil on paper
Not on view
Jorge Soto Sánchez, Untitled, n.d., screenprint, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2013.60.4, © Hermiñia Ramos
Untitled
Daten.d.
screenprint
Not on view
Jorge Soto Sánchez, Teatro Jurutungo, late 1970s, screenprint, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2013.60.5, © Hermiñia Ramos
Teatro Jurutungo
Datelate 1970s
screenprint
Not on view

More Artworks from the Collection

James Prestini, Platter, 1933-1953, cherry, Smithsonian American Art Museum, Gift of the artist, 1970.46.15
Platter
Date1933-1953
cherry
Not on view
James Prestini, Bowl, 1933-1953, cherry, Smithsonian American Art Museum, Gift of the artist, 1970.46.9
Bowl
Date1933-1953
cherry
Not on view
Stephen Perrin, Folding Wall Chairs, 1992, joined maple, cherry, bird's-eye maple, tiger maple, walnut, and aniline dyes, Smithsonian American Art Museum, Gift of MCI, 2001.89.4.3
Folding Wall Chairs
Date1992
joined maple, cherry, bird's-eye maple, tiger maple, walnut, and aniline dyes
Not on view
Stephen Perrin, Folding Wall Chairs, 1992, joined maple, cherry, bird's-eye maple, tiger maple, walnut, and aniline dyes, Smithsonian American Art Museum, Gift of MCI, 2001.89.4.4
Folding Wall Chairs
Date1992
joined maple, cherry, bird's-eye maple, tiger maple, walnut, and aniline dyes
Not on view