Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.680, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 13 5⁄8 x 18 1⁄4 in. (34.6 x 46.4 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.680, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, 4th St. and Junipero Ave., Looking North, from the Long Beach Documentary Survey Project
Artist
Date
1980
Location
Not on view
Dimensions
image: 13 5⁄8 x 18 1⁄4 in. (34.6 x 46.4 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Children
  • Cityscape — California — Long Beach
  • Cityscape — street — 4th Street
  • Object — furniture — bench
  • Cityscape — street — Junipero Avenue
Object Number
1983.63.680
Linked Open Data
https://edan.si.edu/saam/id/object/1983.63.680

Works by this artist (19 items)

View all artworks
Thomas Vigil, Costume Studies-Eagle, Buffalo, and Antelope Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.59
Costume Studies-Eagle, Buffalo, and Antelope Dances
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Women's Dance, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.62
Women’s Dance
Artist
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Buffalo Dancer, ca. 1920-1930, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.67
Buffalo Dancer
Artist
Dateca. 1920-1930
gouache and pencil on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Browse All Artworks
Marguerite Zorach, Commerce and Industry (mural study), ca. 1932-1934, oil and pencil on canvas, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1970.65.21
Commerce and Industry (mural study)
Artist
Dateca. 1932-1934
oil and pencil on canvas
Not on view
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Mail Service in the Tropics (mural study, U.S. Post Office…
Artist
Dateca. 1935-1936
pencil and oil on plywood
Not on view
Daniel Putnam Brinley, The Land is Bought from the Indians (Study for mural, Blakely, Georgia post office), 1937, oil, tempera and pencil on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.305
The Land is Bought from the Indians (Study for mural,…
Artist
Date1937
oil, tempera and pencil on paperboard
Not on view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Artist
Date1933
oil, pen and ink, and pencil on wood panel
On view