Pike Decoy

Billy Martin, Pike Decoy, 20th century, carved, incised, painted, pyroengraved, and varnished wood; copper sheet; non-ferrous eye hook; and lead weight, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.3
Billy Martin, Pike Decoy, 20th century, carved, incised, painted, pyroengraved, and varnished wood; copper sheet; non-ferrous eye hook; and lead weight, 1 128 182 34 in. (3.820.57.0 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.3

Artwork Details

Title
Pike Decoy
Artist
Attributed to Billy Martin
Date
20th century
Dimensions
1 128 182 34 in. (3.820.57.0 cm)
Credit Line
Gift of Alastair B. Martin
Mediums Description
carved, incised, painted, pyroengraved, and varnished wood; copper sheet; non-ferrous eye hook; and lead weight
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.3

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (6 items)

David Lance Goines, Chez Panisse Café & Restaurant Twenty-First Birthday, 1992, photo-offset lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 1997.117.3, © 1992, David Lance Goines
Chez Panisse Café & Restaurant Twenty-First Birthday
Date1992
photo-offset lithograph on paper
Not on view
David Lance Goines, McManis, Faulkner & Morgan Twenty-Fifth Anniversary, 1996, photo-offset lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 1997.117.6, © 1996, David Lance Goines
McManis, Faulkner & Morgan Twenty-Fifth Anniversary
Date1996
photo-offset lithograph on paper
Not on view
David Lance Goines, Aids Prevention, 1985, photo-offset lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 1997.117.2, © 1985, David Lance Goines
Aids Prevention
Date1985
photo-offset lithograph on paper
Not on view
David Lance Goines, Chez Panisse Twenty-Fifth Anniversary August 22-28 1996, 1996, photo-offset lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 1997.117.5, © 1996, David Lance Goines
Chez Panisse Twenty-Fifth Anniversary August 22 – 28 1996
Date1996
photo-offset lithograph on paper
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view