Perch Decoy

Abraham Goulette, Perch Decoy, ca. 1920s, carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.18
Abraham Goulette, Perch Decoy, ca. 1920s, carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight, 3 188 583 14 in. (7.822.08.4 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.18

Artwork Details

Title
Perch Decoy
Date
ca. 1920s
Dimensions
3 188 583 14 in. (7.822.08.4 cm)
Credit Line
Gift of Alastair B. Martin
Mediums
Mediums Description
carved and painted wood, painted tinned iron sheet, non-ferrous eye hook, painted ferrous tack eyes, and lead weight
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.18

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (1 item)

Rachel Sahmie, Pot with Six Painted Images, ca. 1990, fired clay with clay slip, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.173
Pot with Six Painted Images
Dateca. 1990
fired clay with clay slip
Not on view

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Herbert Bayer, Strength Out of Straw, from the Early Series, 1939, gouache and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.22
Strength Out of Straw, from the Early Series
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Rufino Tamayo, Mexico, from the United Nations Series, 1945, ink with pencil and gouache on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.284
Mexico, from the United Nations Series
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James F. Minnicks, Washington DC, from the United States Series, 1949, gouache and pencil on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.215B
Washington DC, from the United States Series
Date1949
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Not on view