Mary Kujawa, Foster Street, Canton

Elinor Cahn, Mary Kujawa, Foster Street, Canton, 1979, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.234
Elinor Cahn, Mary Kujawa, Foster Street, Canton, 1979, gelatin silver print, image: 7 1⁄8 × 7 1⁄8 in. (18.1 × 18.1 cm) sheet: 10 × 8 in. (25.4 × 20.3 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.234

Artwork Details

Title
Mary Kujawa, Foster Street, Canton
Artist
Date
1979
Location
Not on view
Dimensions
image: 7 1⁄8 × 7 1⁄8 in. (18.1 × 18.1 cm) sheet: 10 × 8 in. (25.4 × 20.3 cm)
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure female — elderly — full length
  • Cityscape — Maryland — Baltimore
  • Architecture Exterior — domestic — row house
Object Number
1983.63.234
Linked Open Data
https://edan.si.edu/saam/id/object/1983.63.234

Works by this artist (4 items)

Lou Barlow, High and Dry, wood engraving on paper, Smithsonian American Art Museum, Museum purchase, 1981.12.1
High and Dry
Artist
wood engraving on paper
Not on view
Lou Barlow, Disco, 1988, linoleum cut on paper, Smithsonian American Art Museum, Gift of the artist, 1990.48.2, © 1988, Lou Barlow
Disco
Artist
Date1988
linoleum cut on paper
Not on view
Lou Barlow, Gourmet Shop, 1983, wood engraving on paper, Smithsonian American Art Museum, Gift of the artist, 1990.48.1, © 1983, Lou Barlow
Gourmet Shop
Artist
Date1983
wood engraving on paper
Not on view
Lou Barlow, Orchard Street, 1939, color woodcut on paper, Smithsonian American Art Museum, Gift of Michael J. Ettner, 1987.27.1
Orchard Street
Artist
Date1939
color woodcut on paper
Not on view

Exhibitions

Media - 1983.63.998 - SAAM-1983.63.998_1 - 55235
Welcome Home: A Portrait of East Baltimore, 1975 – 1980
July 16, 2021–January 23, 2022
Smithsonian American Art Museum
Welcome Home: A Portrait of East Baltimore, 1975-1980 captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.

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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
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Les Quais de la Seine a Paris
Artist
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