Even Through Midnight I Can See Diamonds

William Hunter, Even Through Midnight I Can See Diamonds, 1995, Gabon ebony, 146 58 in. diam. (35.516.7 cm) irregular, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003), 2003.60.25, © 1995, William Hunter

Artwork Details

Title
Even Through Midnight I Can See Diamonds
Date
1995
Location
Not on view
Dimensions
146 58 in. diam. (35.516.7 cm) irregular
Copyright
© 1995, William Hunter
Credit Line
Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003)
Mediums
Mediums Description
Gabon ebony
Classifications
Object Number
2003.60.25

Artwork Description

This piece plays on the darkness of its material by allowing only small areas of light to penetrate. The linear carvings sweep around the vessel so that when you look through the piece, small diamonds of light stand out against the wood.

Works by this artist (217 items)

Herman A. Webster, Le Moulin au Bord de l'Eau, 1926, etching, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.116
Le Moulin au Bord de l’Eau
Date1926
etching
Not on view
Herman A. Webster, Street Scene, etching, Smithsonian American Art Museum, Gift of Olin Dows, 1979.136.239
Street Scene
etching
Not on view
Herman A. Webster, Fin d'Une Belle Journee d'Automne, 1938, pencil and watercolor on paper, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.89
Fin d’Une Belle Journee d’Automne
Date1938
pencil and watercolor on paper
Not on view
Herman A. Webster, Bird's-Eye View of Venice, 1933, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.55
Bird’s-Eye View of Venice
Date1933
pen and ink and pencil on paper
Not on view