Traces: Big Beach Baby

Lia Cook, Traces: Big Beach Baby, 2001, cotton, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2004.2, © 2001, Lia Cook
Lia Cook, Traces: Big Beach Baby, 2001, cotton, 16056 in. (406.4142.2 cm), Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003), 2004.2, © 2001, Lia Cook

Artwork Details

Title
Traces: Big Beach Baby
Artist
Date
2001
Location
Not on view
Dimensions
16056 in. (406.4142.2 cm)
Copyright
© 2001, Lia Cook
Credit Line
Gift of the James Renwick Alliance in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003)
Mediums Description
cotton
Classifications
Subjects
  • Figure — child — bust
  • Landscape — beach
Object Number
2004.2

Artwork Description

To create her expressive "woven paintings," Lia Cook paints strips of fabric and weaves them together with a computer-aided handloom. Despite the use of high-tech tools, her figures appear lifelike, emphasizing the connection between the sensuousness of cloth and lived experience. In Traces: Big Beach Baby, Cook also uses fabric to suggest humankind's vulnerability and fragility: as the viewer moves closer to the work, an intimate family portrait dissolves into a dense field of threads.

Connections: Contemporary Craft at the Renwick Gallery, 2019


Works by this artist (4 items)

Lorser Feitelson, Seated Figure, 1919, oil on paperboard, Smithsonian American Art Museum, Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation, 1991.36.2
Seated Figure
Date1919
oil on paperboard
Not on view
Lorser Feitelson, Genesis #2, 1934, oil on fiberboard, Smithsonian American Art Museum, Museum purchase, 1985.33
Genesis #2
Date1934
oil on fiberboard
Not on view
Post-Surreal Configuration: Biological Symphony
Date1939/printed 1972
lithograph on paper
Not on view