Melrose Quilt

Clementine Hunter, Melrose Quilt, ca. 1960, fabric, Smithsonian American Art Museum, Museum purchase through the Barbara Coffey Quilt Endowment, 2014.5
Clementine Hunter, Melrose Quilt, ca. 1960, fabric, 7360 in. (185.4152.4 cm), Smithsonian American Art Museum, Museum purchase through the Barbara Coffey Quilt Endowment, 2014.5

Artwork Details

Title
Melrose Quilt
Date
ca. 1960
Location
Not on view
Dimensions
7360 in. (185.4152.4 cm)
Credit Line
Museum purchase through the Barbara Coffey Quilt Endowment
Mediums Description
fabric
Classifications
Subjects
  • Architecture Exterior — domestic — house
Object Number
2014.5

Artwork Description

Clementine Hunter's bold color choices harmonize with the shapes of the landscape. Her quilts, like her paintings, illustrate everyday stories she felt historians overlooked--especially those of Black workers in the South. Melrose Quilt depicts buildings at the Melrose plantation in Natchitoches Parish, in Central Louisiana, where Hunter and her family moved to work as sharecroppers. She represents the Big House in the center, Yucca House above, and African House at bottom right, where in 1955 Hunter painted a mural of plantation life.
At the plantation, Hunter worked first as a field hand and later as a cook and housekeeper. When the owner of Melrose died, his wife made the plantation a retreat for visiting artists. Hunter's exposure to artists there and her resourcefulness with leftover paints led to the beginning of her artistic practice.

Works by this artist (3 items)

Ernesto Yerena Montejano, Roxana Dueñas, Stand with LA Teachers!, 2019, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.50.1, © 2019, Ernesto Yerena and Roxana Dueñas
Stand with LA Teachers!
Date2019
screenprint on paper
Not on view
Ernesto Yerena Montejano, Viva Yalitza (Yalitza Aparicio Martínez), 2019, offset lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 2020.52
Viva Yalitza (Yalitza Aparicio Martínez)
Date2019
offset lithograph on paper
Not on view
Ernesto Yerena Montejano, Shepard Fairey, Not One More Deportation, 2015, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment, 2020.50.2, © 2015, Ernesto Yerena and Shepard Fairey
Not One More Deportation
Date2015
screenprint on paper
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

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Date2018
linocut assemblage mounted on Masonite panels
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Gazing Ball (Da Vinci Mona Lisa)
Date2016
pigment print with acrylic disk
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Sol LeWitt, Color Bands, 2000, linocut on paper, Smithsonian American Art Museum, Museum purchase through the C.K. Williams Foundation, 2010.65.8, © 2000, The LeWitt Estate / Artists Rights Society (ARS), New York
Color Bands
Date2000
linocut on paper
Not on view