Gullah Fanner Basket

Lynette Youson, Gullah Fanner Basket, 2002, sweetgrass, bulrush, pine needles, and palmetto fronds, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.76
Lynette Youson, Gullah Fanner Basket, 2002, sweetgrass, bulrush, pine needles, and palmetto fronds, 3 1224 18 in. diam. (8.961.3 cm), Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.76

Artwork Details

Title
Gullah Fanner Basket
Date
2002
Location
Not on view
Dimensions
3 1224 18 in. diam. (8.961.3 cm)
Credit Line
Gift of Martha G. Ware and Steven R. Cole
Mediums
Mediums Description
sweetgrass, bulrush, pine needles, and palmetto fronds
Classifications
Object Number
2011.47.76

Artwork Description

Much of the elegance of this basket is derived from its utilitarian form. The fanner basket is among the most traditional and earliest coiled baskets made by African Americans and was used to separate rice grains from husks. Lynette Youson began to sew scraps of grass at her great-grandmother's side when she was only five, and continues this family tradition today.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (2 items)

Frederic Edwin Church, Cotopaxi, 1855, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Frank R. McCoy, 1965.12
Cotopaxi
Date1855
oil on canvas
On view
Frederic Edwin Church, Aurora Borealis, 1865, oil on canvas, Smithsonian American Art Museum, Gift of Eleanor Blodgett, 1911.4.1
Aurora Borealis
Date1865
oil on canvas
On view

Related Books

Baskets_500.jpg
A Measure of the Earth
A Measure of the Earth provides an window into the traditional basketry revival of the past fifty years. Nicholas Bell’s essay details the longstanding use of traditional fibers, such as black ash, white oak, willow, and sweetgrass and the perseverance of a select few to harvest these elements—the land itself—for the enrichment of daily life. Drawing on conversations with basketmakers from across the country and reproducing many of their documentary photographs, Bell offers an intimate glimpse of their lifeways, motivations, and hopes. Lavish illustrations of every basket in the exhibition convey the humble, tactile beauty of these functional vessels.

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Bohyun Yoon, Glass Tube, 2012, glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes, Smithsonian American Art Museum, Gift of Giselle and Ben Huberman, 2012.57A-L, © 2012, Bohyun Yoon
Glass Tube
Date2012
glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes
Not on view
Katherine Lewis, Rope Coil, 2011, willow, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.39
Rope Coil
Date2011
willow
Not on view
Pro Bono Jeweler 2
Date2008
digital video, color, sound; 6:23 minutes
Not on view
Vicki Lee Soboleff, Yellow Cedar Face Mask, 2020, yellow cedar and sinew, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2020.29.2, © June 1, 2020, Vicki Soboleff
Yellow Cedar Face Mask
Date2020
yellow cedar and sinew
Not on view