Iceman Crucified #4

Ralph Fasanella, Iceman Crucified #4, 1958, oil on canvas, 3625 in. (91.463.5 cm), Smithsonian American Art Museum, Gift of the estate of Ralph Fasanella, 2013.69, © 1958, Estate of Ralph Fasanella

Artwork Details

Title
Iceman Crucified #4
Date
1958
Dimensions
3625 in. (91.463.5 cm)
Copyright
© 1958, Estate of Ralph Fasanella
Credit Line
Gift of the estate of Ralph Fasanella
Mediums Description
oil on canvas
Classifications
Subjects
  • Religion — New Testament — Crucifixion
  • Occupation — service
  • Italian
  • Figure male
  • Figure group
Object Number
2013.69

Artwork Description

The Iceman Crucified series encapsulates some of Fasanella’s most powerful and poignant artistic themes. His father—Joe the Iceman—is cast as the crucified Christ to explore ideas of suffering and sacrifice, memory and personal growth. The series was a turning point for Fasanella; his artistic vision broke free from the confines of realism and his imagery became deeply personal.

As a child, Ralph worked alongside his father on his ice delivery route, putting in long hard days on tough streets. Iceman Crucified #4 was the final work in and pinnacle of the series. In it Fasanella encompasses old and new worlds and is simultaneously nostalgic and celebratory. The Christ figure is transformed into a heroic presence, serene and full of grace. The traditional INRI is replaced with the phrase that came to be equated with the artist himself: “Lest We Forget”—a clear message to viewers to remember who we are and where we come from.

Works by this artist (6 items)

Aaron J. Goodelman, Man with Wheelbarrow, ca. 1933, granite, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.3, © ca. 1933, Aaron Goodelman
Man with Wheelbarrow
Dateca. 1933
granite
On view
Aaron J. Goodelman, Kultur, 1939, pearwood and found iron shackle and chain, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.1, © ca. 1940, Aaron Goodelman
Kultur
Date1939
pearwood and found iron shackle and chain
On view
Aaron J. Goodelman, Happy Landing, ca. 1930, Tennessee marble, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.4, © ca. 1930, Aaron Goodelman
Happy Landing
Dateca. 1930
Tennessee marble
On view
Aaron J. Goodelman, Untitled (Man at Machine), 1930, cast and painted plaster, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.6, © 1930, Aaron Goodelman
Untitled (Man at Machine)
Date1930
cast and painted plaster
Not on view

More Artworks from the Collection

Samuel Rothbort, Jonah and the Whale, ca. 1930s, granite, Smithsonian American Art Museum, Gift of Ida Rothbort, Daughter, 1996.14
Jonah and the Whale
Dateca. 1930s
granite
On view
Aaron J. Goodelman, Man with Wheelbarrow, ca. 1933, granite, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.3, © ca. 1933, Aaron Goodelman
Man with Wheelbarrow
Dateca. 1933
granite
On view
Frederick Warren Allen, Egyptian Head, 1937-1938, granite, Smithsonian American Art Museum, Gift of Mrs. Frederick Allen, 1969.11
Egyptian Head
Date1937-1938
granite
Not on view
Bessie Stough Callender, Ram, ca. 1930, granite, Smithsonian American Art Museum, Bequest of Harold Callender, 1960.8.3
Ram
Dateca. 1930
granite
On view