No Parking (Williamsburg, Brooklyn)

Frank Espada, No Parking (Williamsburg, Brooklyn), 1974, printed ca. 1995, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.10, © 1974, Frank Espada Photography
Frank Espada, No Parking (Williamsburg, Brooklyn), 1974, printed ca. 1995, inkjet print, sheet and image: 13 3⁄8 × 19 7⁄8 in. (34.0 × 50.5 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.22.10, © 1974, Frank Espada Photography

Artwork Details

Title
No Parking (Williamsburg, Brooklyn)
Artist
Date
1974, printed ca. 1995
Location
Not on view
Dimensions
sheet and image: 13 3⁄8 × 19 7⁄8 in. (34.0 × 50.5 cm)
Copyright
© 1974, Frank Espada Photography
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
inkjet print
Classifications
Subjects
  • Architecture Exterior — ruins
  • Cityscape — street
  • Cityscape — New York — New York
Object Number
2015.22.10
Linked Open Data
https://edan.si.edu/saam/id/object/2015.22.10

Works by this artist (4 items)

Avery F. Johnson, The Isabelle, ca. late 1930s, watercolor and gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.128.2
The Isabelle
Artist
Dateca. late 1930s
watercolor and gouache on paper
Not on view
Avery F. Johnson, Skating on Bonaparte's Pond (mural study, Bordentown, New Jersey Post Office), ca. 1940, oil on canvas mounted on paperboard, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.6
Skating on Bonaparte’s Pond (mural study, Bordentown, New…
Artist
Dateca. 1940
oil on canvas mounted on paperboard
Not on view
Avery F. Johnson, United States Coast Guard Wet, 1934, watercolor, tempera and pencil on paper, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.93
United States Coast Guard Wet
Artist
Date1934
watercolor, tempera and pencil on paper
Not on view
Avery F. Johnson, Low Tide, ca. late 1930s, watercolor on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.128.3
Low Tide
Artist
Dateca. late 1930s
watercolor on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.