When Styling

Barbara Jones-Hogu, When Styling, 1973, screenprint on paper, Smithsonian American Art Museum, Gift of Thom Pegg, Tyler Fine Art, 2020.59.2
Barbara Jones-Hogu, When Styling, 1973, screenprint on paper, sheet: 40 × 30 in. (101.6 × 76.2 cm), Smithsonian American Art Museum, Gift of Thom Pegg, Tyler Fine Art, 2020.59.2

Artwork Details

Title
When Styling
Date
1973
Location
Not on view
Dimensions
sheet: 40 × 30 in. (101.6 × 76.2 cm)
Credit Line
Gift of Thom Pegg, Tyler Fine Art
Mediums Description
screenprint on paper
Classifications
Subjects
  • Figure group
  • Dress
Object Number
2020.59.2

Artwork Description

Barbara Jones-Hogu was the only trained printmaker among the early members of the artists' collective AfriCOBRA. Her knowledge of silkscreen was crucial to the collective's success in getting their messages out. Screenprints have long been used for social critique and raising awareness because they are inexpensive to produce and easy to distribute. Intent on reaching everyday people, AfriCOBRA created prints in small editions and sold them at affordable prices in Black-owned bookstores and record shops.

Jones-Hogu is known for the expressive lettering in her prints. Her texts range from simple slogans to passages of poetry, such as the quote that appears in Rise and Take Control from "For My People" (1937) by Margaret Walker, a leading poet of the Chicago Black Renaissance. The message in When Styling'--"When Styling Think of Self-Determination-Liberation"--celebrates fashion and hairstyle as important forms of Black creativity and political resistance.

Works by this artist (19 items)

Thomas Vigil, Costume Studies-Eagle, Buffalo, and Antelope Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.59
Costume Studies-Eagle, Buffalo, and Antelope Dances
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Women's Dance, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.62
Women’s Dance
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Buffalo Dancer, ca. 1920-1930, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.67
Buffalo Dancer
Dateca. 1920-1930
gouache and pencil on paper
Not on view

More Artworks from the Collection

Marguerite Zorach, Commerce and Industry (mural study), ca. 1932-1934, oil and pencil on canvas, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1970.65.21
Commerce and Industry (mural study)
Dateca. 1932-1934
oil and pencil on canvas
Not on view
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Mail Service in the Tropics (mural study, U.S. Post Office…
Dateca. 1935-1936
pencil and oil on plywood
Not on view
Daniel Putnam Brinley, The Land is Bought from the Indians (Study for mural, Blakely, Georgia post office), 1937, oil, tempera and pencil on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.305
The Land is Bought from the Indians (Study for mural,…
Date1937
oil, tempera and pencil on paperboard
Not on view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Date1933
oil, pen and ink, and pencil on wood panel
On view