Artist

Charles Reiffel

born Indianapolis, IN 1862-died San Diego, CA 1942
Media - portrait_image_113417.jpg - 90251
Courtesy San Diego Museum of Art.
Also known as
  • Charles P. Reiffel
Born
Indianapolis, Indiana, United States
Died
San Diego, California, United States
Biography

Charles Reiffel was a strikingly handsome man who wore his white hair long in order to cover a disfigured ear. His father had come from Bavaria to the United States in the 1840s and his mother was from an old Virginia family. He started his career as a lithographer and did not begin painting until 1912. Reiffel settled in Silvermine, Connecticut, where he was part of an informal group of artists called the Knocker’s Club, whose members met every Sunday morning to criticize each other’s work. In 1925, Reiffel and his wife planned a vacation through New Mexico and Nevada, but bad weather forced a detour to San Diego. They settled there permanently, and Reiffel became a leader in San Diego’s cultural scene.

Works by this artist (4 items)

John Wilde, Wildeview, 1985, lithograph on paper, Smithsonian American Art Museum, Gift of Schmidt-Bingham Gallery, 1996.62, © 1985, John Wilde
Wildeview
Date1985
lithograph on paper
Not on view
John Wilde, 75 in 150 from the Wisconsin Sesquicentennial Portfolio, 2001, aquatint and dry-point with select hand-coloring on paper, Smithsonian American Art Museum, Gift of Janet Ann Bond Sutter and Thomas Henry Sutter, 2008.10.1.14, © 2001, Andrew G. Balkin and Renee E.K. Balkin
75 in 150 from the Wisconsin Sesquicentennial Portfolio
Date2001
aquatint and dry-point with select hand-coloring on paper
Not on view
John Wilde, Hats #2, 1988, silverpoint on prepared paper, Smithsonian American Art Museum, Museum purchase made possible by Elizabeth Stevens and Mrs. E. N. Vanderpoel, 1996.45
Hats #2
Date1988
silverpoint on prepared paper
Not on view

Related Books

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1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.