Artist

Alfredo Jaar

born Santiago, Chile 1956
Born
Santiago, Chile
Active in
  • New York, New York, United States

Works by this artist (12 items)

Karl Knaths, Untitled, ca. 1939-1940, gouache on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.63R-V
Untitled
Dateca. 1939-1940
gouache on paper
Not on view
Karl Knaths, Bach, 1953, oil on canvas, Smithsonian American Art Museum, Gift of Katie and Walter C. Louchheim, 1970.328
Bach
Date1953
oil on canvas
Not on view
Karl Knaths, Composition, 1936, oil on canvas, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.49
Composition
Date1936
oil on canvas
Not on view
Karl Knaths, Wisconsin, from the United States Series, ca. 1947, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.161
Wisconsin, from the United States Series
Dateca. 1947
oil on canvas mounted on fiberboard
Not on view

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      When Chilean-born artist Alfredo Jaar moved to New York in 1982, he was troubled to discover that racial tensions still ran high long after the civil rights movement had passed its zenith. In Life Magazine, April 19, 1968, he manipulated the iconic photograph of Dr. Martin Luther King Jr.'s funeral procession to highlight the disparity between the number of black and white mourners. Jaar's decision to present the work as a triptych, a traditional format for Christian altarpieces, helps identify King as a martyr.

      Exhibitions

      A photograph of a tricycle at a low angle
      A Democracy of Images: Photographs from the Smithsonian American Art Museum
      June 27, 2013January 5, 2014
      A Democracy of Images: Photographs from the Smithsonian American Art Museum celebrates the numerous ways in which photography, from early daguerreotypes to contemporary digital works, has captured the American experience.

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