Artist

Carmen Herrera

born Havana, Cuba 1915-died New York City 2022
Born
Havana, Cuba
Died
New York, New York, United States
Active in
  • New York, New York, United States

Works by this artist (181 items)

Abraham Rattner, Window Cleaner, watercolor, Smithsonian American Art Museum, Bequest of Abraham Rattner, 1981.153.24
Window Cleaner
watercolor
Not on view
Abraham Rattner, Tree of Life, pencil, ink and watercolor, Smithsonian American Art Museum, Gift of the artist, 1977.36.13
Tree of Life
pencil, ink and watercolor
Not on view
Abraham Rattner, The Tablets of the Law, ink and watercolor, Smithsonian American Art Museum, Gift of the artist, 1977.36.48
The Tablets of the Law
ink and watercolor
Not on view
Abraham Rattner, Panel A, study for Stained Glass Window, Chicago Loop Synagogue, pencil, ink and watercolor on tracing paper, Smithsonian American Art Museum, Gift of the artist, 1977.36.93
Panel A, study for Stained Glass Window, Chicago Loop…
pencil, ink and watercolor on tracing paper
Not on view

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      In this series, E. Carmen Ramos, curator of Latino art, discusses the exhibition Our America: The Latino Presence in American Art at the Smithsonian American Art Museum. This episode looks at the painting Blanco y Verde by Carmen HerreraOur America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.

      Exhibitions

      Media - 2011.12 - SAAM-2011.12_1 - 77591
      Our America: The Latino Presence in American Art
      October 25, 2013March 2, 2014
      Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

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