Artist

Pat Steir

born Newark, NJ 1940
Born
Newark, New Jersey, United States
Active in
  • New York, New York, United States
  • Amsterdam, Netherlands
Biography

Pat Steir studied art at Boston University and then transferred to Pratt Institute in Brooklyn, where she received her BFA in 1961. Since the beginning of her career, Steir has been equally fascinated by painting, drawing, and printmaking. Her first lithographs were produced in 1973 for Chicago's Landfall Press; the following year she received a National Endowment for the Arts grant for painting. In 1975 Steir devoted herself exclusively to drawing. Renewed by the experience, she returned to other media in 1977.

Steir's images form the early seventies originally recalled maps, with journalistic notations and diagrams of personal experiences, as well as actual directions for making the art. Her first major public exposure came in 1972 when one of her paintings was reproduced in Time magazine's special issue on the women's movement, with which Steir was closely associated. She went on to exhibit widely in the United States and abroad, expanding her artistic output to include murals in France and America.

By the eighties, however, the artist had left behind literal forms, focusing instead on the relationships of line, color, atmosphere, and enigmatic symbols to suggest emotionally charged personal narratives. Her most recent paintings and prints continue to explore the evocative effect of marks as a means of communication, direct and indirect.

National Museum of American Art (CD-ROM) (New York and Washington D.C.: MacMillan Digital in cooperation with the National Museum of American Art, 1996)

Works by this artist (132 items)

Man Ray, Le Voyeur, 1965, wooden cigar box with inserted door lens, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.4
Le Voyeur
Artist
Date1965
wooden cigar box with inserted door lens
On view
Man Ray, Square Dumb Bells, 1944 or 1945, cast bronze, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.17A-B
Square Dumb Bells
Artist
Date1944 or 1945
cast bronze
On view
Man Ray, Fisherman's Idol, cast 1973, bronze, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.7
Fisherman’s Idol
Artist
Datecast 1973
bronze
On view
Man Ray, Its Another Spring, 1961, mixed media: metal spring, ivory ball, and wooden cigar box, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.6
Its Another Spring
Artist
Date1961
mixed media: metal spring, ivory ball, and wooden cigar box
On view

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      A visitor commented about this painting, "It has the feel of the Southwest." This was very astute, since Pat Steir's mountain paintings of the early 1970s were inspired by her visits to Agnes Martin in New Mexico. Both women are painters and poets, and both have studied nature and art long enough to abstract their common essence. Looking for the Mountain is a metaphor that works on many levels: linguistic, aesthetic, and philosophical.