31 Chair

Daniel Michalik, 3/1 Chair, 2011, recycled cork, FSC-certified plywood, and low-Voc paint, 322024 in. (81.350.861.0 cm), Smithsonian American Art Museum, Gift of Phyllis and Sidney Bresler in memory of Charles S. Bresler and in honor of Fleur Bresler, 2013.13A-D, © 2011, Daniel Michalik

Artwork Details

Title
31 Chair
Date
2011
Location
Not on view
Dimensions
322024 in. (81.350.861.0 cm)
Copyright
© 2011, Daniel Michalik
Credit Line
Gift of Phyllis and Sidney Bresler in memory of Charles S. Bresler and in honor of Fleur Bresler
Mediums
Mediums Description
recycled cork, FSC-certified plywood, and low-Voc paint
Classifications
Subjects
  • Object — furniture — chair
  • Object — tool — hammer
Object Number
2013.13A-D

Works by this artist (2 items)

Daniel Michalik, 3/1 Chair, 2011, recycled cork, FSC-certified plywood, and low-Voc paint, Smithsonian American Art Museum, Gift of Phyllis and Sidney Bresler in memory of Charles S. Bresler and in honor of Fleur Bresler, 2013.13A-D, © 2011, Daniel Michalik
31 Chair
Date2011
recycled cork, FSC-certified plywood, and low-Voc paint
Not on view
Daniel Michalik, Massimo Plates, 2011, high-density recycled cork and low-VOC paint, Smithsonian American Art Museum, Gift of Cross MacKenzie Gallery, Washington, DC, 2013.12A-D, © 2011, Daniel Michalik
Massimo Plates
Date2011
high-density recycled cork and low-VOC paint
Not on view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 – February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Daniel Michalik submitted—enjoy! Daniel Michalik Profile: Daniel Michalik, 2011 Digital video, color, sound, 3:38 Videography and Editing by Matthew Hanlon Music by Matt Moberg Courtesy of Matthew Hanlon

      Related Books

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      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.