Impression of the New York World’s Fair (mural study, Communications Building, World’s Fair, Flushing, New York)

Stuart Davis, Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938, gouache on paperboard, Smithsonian American Art Museum, Transfer from the United States Information Agency through the General Services Administration, 1995.27
Stuart Davis, Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938, gouache on paperboard, sheet: 14 3422 18 in. (37.555.9 cm.), Smithsonian American Art Museum, Transfer from the United States Information Agency through the General Services Administration, 1995.27

Artwork Details

Title
Impression of the New York World’s Fair (mural study, Communications Building, World’s Fair, Flushing, New York)
Artist
Commissioner
Harper's Bazaar
Date
1938
Location
Not on view
Dimensions
sheet: 14 3422 18 in. (37.555.9 cm.)
Credit Line
Transfer from the United States Information Agency through the General Services Administration
Mediums
Mediums Description
gouache on paperboard
Classifications
Highlights
Subjects
  • Cityscape — New York — New York
  • Abstract — geometric
Object Number
1995.27

Artwork Description

This work is the only surviving design of the artist’s demolished mural for the Communications Building at the World’s Fair held in Flushing, New York, in 1939. This gouache was originally commissioned by Harper’s Bazaar magazine for its February 1939 issue. Impression of the New York World’s Fair is an interpretation of various architectural elements at the fair, such as the Perisphere and the Trylon, and of stripper Gypsy Rose Lee at center stage.

Graphic Masters II: Highlights from the Smithsonian American Art Museum, 2009

Works by this artist (23 items)

Stuart Davis, Int'l Surface No. 1, 1960, oil on canvas, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1969.47.55
Int’l Surface No. 1
Date1960
oil on canvas
On view
Stuart Davis, New Jersey Landscape (Seine Cart), 1939, lithograph on wove paper, Smithsonian American Art Museum, Transfer from the D.C. Public Library, 2018.5.2
New Jersey Landscape (Seine Cart)
Date1939
lithograph on wove paper
Not on view
Stuart Davis, Waterfront Landscape, 1936, oil on canvas, Smithsonian American Art Museum, Transfer from the General Services Administration, 1972.80
Waterfront Landscape
Date1936
oil on canvas
Not on view

More Artworks from the Collection

Summer Sun
Date1964
gouache on paper
Not on view
Harry Lowe, North Georgia #1, ca. 1952, gouache on paper, Smithsonian American Art Museum, Gift of the artist, 2014.69.1
North Georgia #1
Dateca. 1952
gouache on paper
Not on view
Carlos Anderson, Day's End, 1939, opaque watercolor on fiberboard, Smithsonian American Art Museum, Gift of Serene and Claire Puglisi, 1977.115
Day’s End
Date1939
opaque watercolor on fiberboard
Not on view