After Wood

Robert Hudson, After Wood, 1990, painted steel, Smithsonian American Art Museum, Gift of Mrs. Jaquelin Hume, 1990.46A-B
Robert Hudson, After Wood, 1990, painted steel, overall: 3423 1222 78 in. (86.459.758.2 cm.) top: 13 382522 78 in. (34.063.558.2 cm.) bottom: 30 3823 5811 38 in. (77.260.028.9 cm.), Smithsonian American Art Museum, Gift of Mrs. Jaquelin Hume, 1990.46A-B

Artwork Details

Title
After Wood
Date
1990
Dimensions
overall: 3423 1222 78 in. (86.459.758.2 cm.) top: 13 382522 78 in. (34.063.558.2 cm.) bottom: 30 3823 5811 38 in. (77.260.028.9 cm.)
Credit Line
Gift of Mrs. Jaquelin Hume
Mediums
Mediums Description
painted steel
Classifications
Subjects
  • Abstract — geometric
Object Number
1990.46A-B

Artwork Description

Robert Hudson uses titles and visual illusions to create art that is puzzling and playful. The title After Wood suggests that Hudson was inspired by something he saw in the landscape of the West Coast, but it also draws our attention to the surfaces of the sculpture, which he shaped, scored, and then painted to look like organic material. He even fashioned the steel to look as if he had incorporated found objects into the work. The blocky feet that appear to be carved from wood are actually made of metal. The circles and arcs of the different components move in a complex web of directions, as if Hudson wanted to describe the workings of invisible forces. After Wood is a sculpture, a riddle, and a kinetic machine, all at once.

Works by this artist (3 items)

Robert Hudson, After Wood, 1990, painted steel, Smithsonian American Art Museum, Gift of Mrs. Jaquelin Hume, 1990.46A-B
After Wood
Date1990
painted steel
On view
Robert Hudson, Maquette for Tlingit, 1979, welded steel, assembled and painted, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.49.18
Maquette for Tlingit
Date1979
welded steel, assembled and painted
Not on view
Robert Hudson, River, 1986, soft-ground etching and aquatint, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.9
River
Date1986
soft-ground etching and aquatint
Not on view

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      An interview with the artist Robert Hudson. Robert Hudson grew up in rural Washington State and moved to San Francisco to attend college. Hudson was influenced by the city's ceramic artists, whose brightly colored works combine traditional craft and sculpture. He has said that he loves to be "in a position of being overwhelmed," so he makes objects that blur the lines between sculpture, painting, and drawing. His trompe l'oeil, or "fool the eye," sculptures look like one material but are actually made of another, often confusing our perceptions of two- and three-dimensional objects (Beal, "Welded Irony: The Sculpture of Robert Hudson," in Robert Hudson, A Survey, 1985). 

      More Artworks from the Collection

      Rod Rosebrook, Wheel with Wooden Tools, 1977, welded metal and painted wood, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.82
      Wheel with Wooden Tools
      Date1977
      welded metal and painted wood
      Not on view
      Shields Landon ("S.L.") Jones, Fiddler, 1975, carved and painted wood, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.250A-C
      Fiddler
      Date1975
      carved and painted wood
      On view
      Isaac Witkin, Maquette for Chorale, 1980, cut, bent, welded and painted steel, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1981.185.2
      Maquette for Chorale
      Date1980
      cut, bent, welded and painted steel
      Not on view