By Any Means Necessary (after Malcolm X)

Tim Rollins, Tim Rollins and K.O.S., By Any Means Necessary (after Malcolm X), 2008, matte acrylic and book pages on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.18, © 2008, Tim Rollin and K.O.S.
Tim Rollins and K.O.S., Tim Rollins, By Any Means Necessary (after Malcolm X), 2008, matte acrylic and book pages on canvas, 7272 in. (182.9182.9 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.18, © 2008, Tim Rollin and K.O.S.

Artwork Details

Title
By Any Means Necessary (after Malcolm X)
Artists
Tim Rollins and K.O.S.
Date
2008
Dimensions
7272 in. (182.9182.9 cm)
Copyright
© 2008, Tim Rollin and K.O.S.
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
matte acrylic and book pages on canvas
Classifications
Highlights
Subjects
  • History — United States — Black History — Malcolm X
  • Object — written matter — book
  • History — United States — Civil Rights Movement
Object Number
2010.18

Artwork Description

Black diagonal lines intersect at multiple points to form the letter M and three X's. Pages from The Autobiography of Malcolm X cover the surface of the canvas like wallpaper.

Artist Tim Rollins formed K.O.S. (Kids of Survival) in the 1980s with a group of high school students in the South Bronx. Many of their collaborations are inspired by literary classics. Published in 1965, months after the human rights activist's assassination, The Autobiography of Malcolm X has sold millions of copies and influenced generations of readers.

This artwork's title comes from a refrain often found in Malcolm X's speeches:

We want freedom by any means necessary. 
We want justice by any means necessary. 
We want equality by any means necessary.

Works by this artist (8 items)

Tim Rollins, Tim Rollins and K.O.S., By Any Means Necessary (after Malcolm X), 2008, matte acrylic and book pages on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.18, © 2008, Tim Rollin and K.O.S.
By Any Means Necessary (after Malcolm X)
Date2008
matte acrylic and book pages on canvas
On view
Tim Rollins, Tim Rollins and K.O.S., Most Beautiful Appear, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.7
Most Beautiful Appear, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view
Tim Rollins, Tim Rollins and K.O.S., The Heavens are Telling, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.6
The Heavens are Telling, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view
Tim Rollins, Tim Rollins and K.O.S., Representation of Chaos, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.1
Representation of Chaos, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view

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Yigal Ozeri, Untitled; Shely, 2017, oil on paper, Smithsonian American Art Museum, Gift of Louis K. and Susan P. Meisel, 2022.11.17
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Date2017
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Rae Ferren, The Lily Pool, 2004, oil on canvas, Smithsonian American Art Museum, Gift of Bran Ferren, 2010.59, © 2004, Rae Ferren
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Date2004
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