Most Beautiful Appear, from the portfolio The Creation

Tim Rollins, Tim Rollins and K.O.S., Most Beautiful Appear, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.7
Tim Rollins and K.O.S., Tim Rollins, Most Beautiful Appear, from the portfolio The Creation, 2004, screenprint with chine collé on paper, 21 1215 in. (54.638.1 cm), Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.7

Artwork Details

Title
Most Beautiful Appear, from the portfolio The Creation
Artists
Tim Rollins and K.O.S.
Publisher
Pyramid Atlantic
Date
2004
Location
Not on view
Dimensions
21 1215 in. (54.638.1 cm)
Credit Line
Gift of Anne and Ronald Abramson
Mediums Description
screenprint with chine collé on paper
Classifications
Subjects
  • Religion — Old Testament — Creation
  • Object — written matter — sheet music
Object Number
2008.37.1.7

Artwork Description

Tim Rollins founded the artist collective K.O.S. (Kids of Survival) in New York in 1982 with a group of children from his neighborhood in the South Bronx. Working together with a changing group of “underachieving” students, Rollins has directed numerous art projects that foster collective creativity. Working with at-risk area kids participating in the Pyramid Atlantic workshop’s visual literacy program in Silver Spring, Maryland, Rollins chose Franz Josef Haydn’s oratorio, The Creation, to be their source of inspiration. As they listened to the music, the group made drawings and prints and contemplated the beginning of the universe, moving from the void to the primal and momentous appearance of light and the ensuing emergence of heaven, earth, celestial bodies, land, sea, plants, and animals. Each of the prints embodies one of the seven days of creation.

Multiplicity, 2011

Works by this artist (8 items)

Tim Rollins, Tim Rollins and K.O.S., By Any Means Necessary (after Malcolm X), 2008, matte acrylic and book pages on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2010.18, © 2008, Tim Rollin and K.O.S.
By Any Means Necessary (after Malcolm X)
Date2008
matte acrylic and book pages on canvas
On view
Tim Rollins, Tim Rollins and K.O.S., Most Beautiful Appear, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.7
Most Beautiful Appear, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view
Tim Rollins, Tim Rollins and K.O.S., In Splendour Bright, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.5
In Splendour Bright, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view
Tim Rollins, Tim Rollins and K.O.S., Let There Be Light, from the portfolio The Creation, 2004, screenprint with chine collé on paper, Smithsonian American Art Museum, Gift of Anne and Ronald Abramson, 2008.37.1.3
Let There Be Light, from the portfolio The Creation
Date2004
screenprint with chine collé on paper
Not on view

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Hurricane Redux
Date2018
linocut assemblage mounted on Masonite panels
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Sol LeWitt, Color Bands, 2000, linocut on paper, Smithsonian American Art Museum, Museum purchase through the C.K. Williams Foundation, 2010.65.4, © 2000, The LeWitt Estate / Artists Rights Society (ARS), New York
Color Bands
Date2000
linocut on paper
Not on view