Bad Ombrés v.2

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Ronald Rael, Virginia San Fratello, Bad Ombrés v.2, 2017, ceramic, dimensions variable, Smithsonian American Art Museum, Museum purchase through the Howard Kottler Endowment for Ceramic Art, 2022.53A-F, © 2017, Emerging Objects

Artwork Details

Title
Bad Ombrés v.2
Date
2017
Location
Not on view
Dimensions
dimensions variable
Copyright
© 2017, Emerging Objects
Credit Line
Museum purchase through the Howard Kottler Endowment for Ceramic Art
Mediums Description
ceramic
Classifications
Object Number
2022.53A-F

Artwork Description

Ronald Rael and Virginia San Fratello created these vessels with two different clay materials—one from each side of the US-Mexico border—to form an ombré effect, a gradual blend of one color to another. In early 2017 President Donald J. Trump called out “bad hombres” along the border as part of his campaign to expand border fences. Popular media pointed out that his pronunciation of the Spanish word hombre, which means “man,” sounded more like ombré.


With Bad Ombrés v.2, the artists wish to affirm that, in many ways, the term ombré can refer to a richer understanding of the borderlands, where there is no clear distinction between Mexico and the United States. There is a gradient of languages, cuisine, flora and fauna, and art that is shared across the political boundary.


This Present Moment: Crafting a Better World, 2022

Works by this artist (132 items)

Man Ray, Square Dumb Bells, 1944 or 1945, cast bronze, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.17A-B
Square Dumb Bells
Artist
Date1944 or 1945
cast bronze
On view
Man Ray, Its Another Spring, 1961, mixed media: metal spring, ivory ball, and wooden cigar box, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.6
Its Another Spring
Artist
Date1961
mixed media: metal spring, ivory ball, and wooden cigar box
On view
Man Ray, Le Voyeur, 1965, wooden cigar box with inserted door lens, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.4
Le Voyeur
Artist
Date1965
wooden cigar box with inserted door lens
On view
Man Ray, Fisherman's Idol, cast 1973, bronze, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.7
Fisherman’s Idol
Artist
Datecast 1973
bronze
On view

More Artworks from the Collection

Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Dateca. 1992
ink on manila envelope
Not on view
Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Date1987
ink on paper
Not on view
Carl Piwinski, Martian Worlds, ca. 1992, ink on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.125
Martian Worlds
Dateca. 1992
ink on paper
Not on view
William H. Johnson, David and Goliath, ca. 1944, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.432
David and Goliath
Dateca. 1944
pen and ink on paper
Not on view