Blackberry Woman

Richmond Barthé, Blackberry Woman, modeled by 1930, cast 1932, bronze, 35 1212 1416 14 in. (90.131.141.3 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2001.6

Artwork Details

Title
Blackberry Woman
Date
modeled by 1930, cast 1932
Location
Not on view
Dimensions
35 1212 1416 14 in. (90.131.141.3 cm)
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
bronze
Classifications
Subjects
  • Occupation — domestic — gathering
  • Figure female — full length
  • African American
  • Object — other — basket
Object Number
2001.6

Artwork Description

The angular grace of Blackberry Woman speaks of stoicism and constancy. The subject – an African American woman in a simple dress who is balancing a basket on her head – is one Barthé may well have seen on market day as a boy growing up in Bay St. Louis, Mississippi. But she is more than an echo of an image once observed. She has the frontal, linear form found in West African sculpture, which Barthé first saw in Chicago, in an exhibition during “The Negro in Art Week” in November 1927, when he was a student at the School of the Art Institute of Chicago.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (1 item)

Richmond Barthé, Blackberry Woman, modeled by 1930, cast 1932, bronze, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2001.6
Blackberry Woman
Datemodeled by 1930, cast 1932
bronze
Not on view

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John Safer, Chandelle, 1969, revised 2013, Lucite, Smithsonian American Art Museum, Gift of the artist, 2007.23
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The Healing Machine
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