Malvin Gray Johnson, Brothers, 1934, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.57.29
Johnson painted Brothers in the rolling foothills of the Blue Ridge Mountains outside Charlottesville, Virginia. The boys' overalls and bare feet, and the angled picket fence that blocks recessive space, locate them in a small-town setting. During his career, Johnson moved easily between explorations of modernist composition and what was then known as "racial art" -- art that paid homage to contemporary African American life and its ancestral roots. The children's faces show no emotion; the only hint of their relationship comes through the placement of the younger boy, who leans against the protective shoulder of his stronger, older brother.
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
With the money he earned from the New Deal's Public Works of Art Project, Malvin Gray Johnson traveled to Virginia, marking the only time he spent as an artist in the South. In a town called Brightwood, he created numerous studies of rural landscapes and "folk types," including this scene of two brothers sharing a wooden bench. Their blue overalls and white shirts are almost identical; one boy wears a straw hat, the other a bib cap.
- On View
- Not on view.
38 x 30 in. (96.5 x 76.3 cm)
- Credit Line
Smithsonian American Art Museum
Gift of the Harmon Foundation
- Mediums Description
- oil on canvas
- Ethnic – African-American
- Figure group – family – siblings
- Dress – accessory – hat
- Object – furniture – bench
- Architecture Exterior – detail – fence
- Object Number
- Linked Open Data
- Linked Open Data URI