Cadeau (Série II)

Man Ray, Cadeau (Série II), 1970, metal: flat iron, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.3
Man Ray, Cadeau (Série II), 1970, metal: flat iron, 6 183 384 34 in. (15.48.712.2 cm), Smithsonian American Art Museum, Gift of Juliet Man Ray, 1983.105.3

Artwork Details

Title
Cadeau (Série II)
Artist
Date
1970
Location
Not on view
Dimensions
6 183 384 34 in. (15.48.712.2 cm)
Credit Line
Gift of Juliet Man Ray
Mediums
Mediums Description
metal: flat iron
Classifications
Subjects
  • Object — other — appliance
Object Number
1983.105.3

Artwork Description

The original Cadeau was made for Man Ray’s first Paris show in 1921. On the day of the opening, the artist passed a hardware store and bought a flatiron that he had seen in the window, along with a box of tacks and some glue. The iron, with the tacks fixed in a neat line along the smooth base, became a last-minute addition to the show. Cadeau was stolen almost as soon as the exhibition opened, but Man Ray calmly made another one. He produced many replicas of Cadeau throughout his career and even allowed galleries to make their own editions of the piece. Sexual violence was a popular theme within Dada and surrealism, and Man Ray transformed this household item into a strangely threatening “gift.” The sharp spikes add an element of danger to the domestic associations of the iron, creating an object that is only good for, as Man Ray said, “tearing a dress to ribbons.” In fact, he once used Cadeau to shred a piece of clothing, then asked one of his models to pose wearing the tattered remnants of fabric.

Works by this artist (18 items)

William Merritt Chase, Shinnecock Hills, ca. 1895, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.11
Shinnecock Hills
Dateca. 1895
oil on canvas
On view
Henry Wolf, William Merritt Chase, Alice, 1892, photomechanical wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.72
Alice
Date1892
photomechanical wood engraving on paper
Not on view
Henry Wolf, William Merritt Chase, Portrait of a Woman, 1906, photomechanical wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.224
Portrait of a Woman
Date1906
photomechanical wood engraving on paper
Not on view
William Merritt Chase, Roses, ca. 1883, pastel on paper, Smithsonian American Art Museum, Gift of Raymond J. and Margaret Horowitz, 2014.68.1
Roses
Dateca. 1883
pastel on paper
Not on view

More Artworks from the Collection

George Catlin, Round Island, a Warrior, 1831, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.265
Round Island, a Warrior
Date1831
oil on canvas
Not on view
Carl Newman, (Landscape with Red Roof Building), ca. 1880-1910, oil on canvas, Smithsonian American Art Museum, Gift of Anna McCleery Newton, 1968.121.2
(Landscape with Red Roof Building)
Dateca. 1880-1910
oil on canvas
Not on view
Alice Pike Barney, Self-Portrait Reflected in Mirror, 1896, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1966.111.15
Self-Portrait Reflected in Mirror
Date1896
oil on canvas
Not on view