Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins

George Catlin, Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins, 1846-1848, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.590
George Catlin, Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins, 1846-1848, oil on canvas, 2027 14 in. (50.969.2 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.590
Free to use

Artwork Details

Title
Catlin and His Indian Guide Approaching Buffalo under White Wolf Skins
Date
1846-1848
Location
Not on view
Dimensions
2027 14 in. (50.969.2 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Figure group — male
  • Recreation — sport and play — hunting
  • Indian
  • Portrait male — Catlin, George — self-portrait
  • Animal — buffalo
Object Number
1985.66.590

Artwork Description

George Catlin and the Indian guide, covered in wolf skins and with weapons at the ready, creep up on a herd of buffalo. The artist painted several versions of this theme, inspired by his lament that “the poor buffaloes have their enemy man, besetting and besieging them at all times of the year and in all the modes that man . . . has been able to devise for their destruction. They struggle in vain to evade his deadly shafts . . . While the herd of buffaloes are together, they seem to have little dread of the wolf, and allow them to come in close company with them. The Indian then has taken advantage of this fact, and often places himself under the skin of this animal, and crawls for half a mile or more on his hands and knees, until he approaches within a few rods of the unsuspecting group, and easily shoots down the fattest of the throng.” (Catlin, Letters and Notes, vol. 1, no. 31, 1841; reprint 1973)

Works by this artist (16 items)

Joseph M. Mills, Untitled, from the series Inner City, 1982-1987, printed 2002, gelatin silver print with applied varnish, Smithsonian American Art Museum, Gift of Norman S. Carr, 2013.52.6, © 2002, Joe Mills
Untitled, from the series Inner City
Date1982-1987, printed 2002
gelatin silver print with applied varnish
Not on view
Joseph M. Mills, Untitled, from the series Inner City, 1982-1987, printed 2002, gelatin silver print with applied varnish, Smithsonian American Art Museum, Gift of Norman S. Carr, 2013.52.4, © 2002, Joe Mills
Untitled, from the series Inner City
Date1982-1987, printed 2002
gelatin silver print with applied varnish
Not on view
Joseph M. Mills, Untitled (Man on bench), 1987, gelatin silver print, Smithsonian American Art Museum, Gift of the artist, 1989.73, © 1987, Joseph Mills
Untitled (Man on bench)
Date1987
gelatin silver print
Not on view
Joseph M. Mills, Untitled, from the series Inner City, 1982-1987, printed 2002, gelatin silver print with applied varnish, Smithsonian American Art Museum, Gift of Norman S. Carr, 2013.52.5, © 2002, Joe Mills
Untitled, from the series Inner City
Date1982-1987, printed 2002
gelatin silver print with applied varnish
Not on view

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Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
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Date1941-1952
linocut
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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view