Comanche Moving Camp, Dog Fight Enroute

George Catlin, Comanche Moving Camp, Dog Fight Enroute, 1834-1835, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.466
George Catlin, Comanche Moving Camp, Dog Fight Enroute, 1834-1835, oil on canvas, 19 5827 12 in. (49.870.0 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.466
Free to use

Artwork Details

Title
Comanche Moving Camp, Dog Fight Enroute
Date
1834-1835
Location
Not on view
Dimensions
19 5827 12 in. (49.870.0 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Figure group
  • Travel — land
  • Landscape — plain
  • Animal — dog
  • Indian — Comanche
Object Number
1985.66.466

Artwork Description

“In speaking . . . of the mode of moving their wigwams, and changing their encampments, I should have . . . given to the reader, a sketch of one of these extraordinary scenes, which I have had the good luck to witness; where several thousands were on the march, and furnishing one of those laughable scenes which daily happen, where so many dogs, and so many [women], are traveling in such a confused mass; with so many conflicting interests, and so many local and individual rights to be pertinaciously claimed and protected. Each horse drags his load, and each dog, i.e. each dog that will do it (and there are many that will not), also dragging his wallet on a couple of poles; and each wife with her load, and all together (notwithstanding their burthens) cherishing their pugnacious feelings, which often bring them into general conflict, commencing usually amongst the dogs, and sure to result in fisticuffs of the women; whilst the men, riding leisurely on the right or the left, take infinite pleasure in overlooking these desperate conflicts, at which they are sure to have a laugh, and in which, as sure never to lend a hand.” George Catlin sketched this image at a Comanche village in 1834. (Catlin, Letters and Notes, vol. 2, no. 42, 1841; reprint 1973)

Works by this artist (2 items)

Myra Mimlitsch Gray, Sugar Bowl and Creamer III, 1996, copper, Smithsonian American Art Museum, Gift of the James Renwick Alliance on the occasion of the 25th anniversary of the Renwick Gallery, 1997.56A-B
Sugar Bowl and Creamer III
Date1996
copper
Not on view
Myra Mimlitsch Gray, Bel Canto Brooch, 1997?, 18k and 14k gold and seed pearls, Smithsonian American Art Museum, Gift of Kenneth R. Trapp in honor of Shelby M. Gans, 2003.27.2
Bel Canto Brooch
Date1997?
18k and 14k gold and seed pearls
Not on view

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