Da. Barbara Vizcarrondo de Elzaburu

  • Unidentified (Puerto Rican), Da. Barbara Vizcarrondo de Elzaburu, 19th century, watercolor on ivory, Smithsonian American Art Museum, Teodoro Vidal Collection, 1996.91.20

It is not always possible to identify more than the sitter’s name in miniature portraits, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss. The daguerreotype, invented in 1839, provided a cheaper, faster alternative, and portrait miniatures grew less popular. At the turn of the twentieth century, with the establishment of the American Society of Miniature Painters, miniatures enjoyed a brief revival. Conservation of this miniature was made possible through a generous grant provided by the Smithsonian Women’s Committee.

Da. Barbara Vizcarrondo de Elzaburu
19th century
Not on view
2 782 78 in. (7.47.4 cm)
Credit Line

Smithsonian American Art Museum

Teodoro Vidal Collection

Mediums Description
watercolor on ivory
  • Object – flower
  • Portrait female – Vizcarrondo, de Elzaburu, Barbara – waist length
Object Number
Linked Open Data
Linked Open Data URI

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