Detail from Osborne Gates – The Crane and the Peacock

Paul Manship, Detail from Osborne Gates--The Crane and the Peacock, 1952, bronze, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.2, ©1952, Paul Manship
Copied Paul Manship, Detail from Osborne Gates--The Crane and the Peacock, 1952, bronze, 29 x 43 x 3 1⁄2 in. (74.0 x 110.0 x 9.0 cm), Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.2, ©1952, Paul Manship

Artwork Details

Title
Detail from Osborne Gates – The Crane and the Peacock
Artist
Date
1952
Location
Not on view
Dimensions
29 x 43 x 3 1⁄2 in. (74.0 x 110.0 x 9.0 cm)
Copyright
©1952, Paul Manship
Credit Line
Bequest of Paul Manship
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Animal — bird — peacock
  • Animal — bird — crane
  • Literature — Aesop — Crane and Peacock
Object Number
1966.47.2
Linked Open Data
https://edan.si.edu/saam/id/object/1966.47.2

Artwork Description

This bronze gate was one of six commissioned for the William Church Osborne Memorial Playground in Manhattan's Central Park. Each panel shows a tale from Aesop's Fables, a collection of ancient Greek stories that teach moral lessons to schoolchildren. In The Crane and the Peacock, the peacock boasts that his plumage is bright and beautiful. As she flies away, the crane points out that despite her dull feathers she can see the world from the skies, while the vain peacock is stuck on the ground. Aesop's fable persuades us that fine feathers do not necessarily make fine birds. To tell the story, Manship created a circle extending from the crane's right wing through the peacock's train and finally through an invisible diagonal line that links the two birds' eyes and beaks. The delicate clouds give the crane's domain a buoyant feeling, while the dense foliage suggests the weight of the peacock’s earthbound existence.