During

Carlos Villa, During, 1982, acrylic on canvas, Smithsonian American Art Museum, Museum purchase made possible through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and the Luisita L. and Franz H. Denghausen Endowment, 2023.26
Carlos Villa, During, 1982, acrylic on canvas, 8272 in. (208.3182.9 cm), Smithsonian American Art Museum, Museum purchase made possible through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and the Luisita L. and Franz H. Denghausen Endowment, 2023.26

Artwork Details

Title
During
Artist
Date
1982
Dimensions
8272 in. (208.3182.9 cm)
Credit Line
Museum purchase made possible through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and the Luisita L. and Franz H. Denghausen Endowment
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Figure — fragment — chest
  • Figure — fragment — foot
  • Figure — fragment — face
  • Figure — fragment — hand
Object Number
2023.26

Artwork Description

Paintings show the physical touch of their makers, usually using a brush or other tool. Here we see the literal imprint of the artist's body--where he pressed his chest, thighs, hands, and feet, wet with paint, against the canvas. The resulting imagery suggests a ritual or a dance.

Carlos Villa's face-print can also be seen, emerging from and disappearing into the background. Including his face was, for Villa, a way to affirm his identity as a Filipino American artist. As a student in the 1950s, Villa had been stung when a teacher told him, "Filipino art history doesn't exist." He went on to uncover--and create--this art himself. Recognizing Filipino culture as a mix of Indigenous, Asian, and Western influences, Villa developed a personal aesthetic that drew form and iconography from a wide array of cultural sources.

Works by this artist (130 items)

J. Alden Weir, (Landscape), after 1900, oil on wood, Smithsonian American Art Museum, Gift of Mahonri Sharp Young, 1978.110
(Landscape)
Dateafter 1900
oil on wood
On view
J. Alden Weir, A Gentlewoman, 1906, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.72
A Gentlewoman
Date1906
oil on canvas
On view
J. Alden Weir, Upland Pasture, ca. 1905, oil on canvas, Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.73
Upland Pasture
Dateca. 1905
oil on canvas
On view

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hand-colored lithograph
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Daten.d.
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TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway…
Date1835
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A Sioux Chief, from The Aboriginal Portfolio
Date1835
hand-colored lithograph on paper
Not on view