Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office)

Philip Guston, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), 1938, tempera on fiberboard, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.77
Philip Guston, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), 1938, tempera on fiberboard, 1226 in. (30.566.1 cm.), Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration , 1962.8.77

Artwork Details

Title
Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office)
Date
1938
Dimensions
1226 in. (30.566.1 cm.)
Credit Line
Transfer from the Internal Revenue Service through the General Services Administration 
Mediums
Mediums Description
tempera on fiberboard
Classifications
Subjects
  • Architecture Exterior — civic — post office
  • Landscape — Georgia — Commerce
  • New Deal — Treasury Section of Painting and Sculpture — Georgia
  • Occupation — service — postman
  • Study — mural study
  • Recreation — leisure — reading
  • History — United States — westward expansion
  • Architecture — vehicle — train
  • Animal — horse
  • Occupation — industry — construction
  • Figure group
Object Number
1962.8.77

Artwork Description

Philip Guston’s mural study shows the history of mail service on the frontier, from the days when sacks of mail arrived on horseback to the coming of railroads and telegraph lines that displaced much of the mail traffic. Artists working for the government in the 1930s considered themselves members of America’s workforce and sympathized with laborers. After Guston submitted his study, government officials noted that he had lavished more attention on the workers than the rest of the image and specified that “The strength of drawing reflected in the two workmen laying the rails . . . is the quality of draftsmanship we would like you to characterize in the entire design.” The bureaucratic process required that Guston submit several versions of the composition to the superintendent of the Treasury Department’s Section of Painting and Sculpture. After he had made the revisions required by the officials, the composition was approved for the post office in Commerce, Georgia. He finished the mural in 246 days and was paid $510 for his efforts. (Edward B. Rowan to Philip Guston, January 4, 1938, SAAM curatorial file)

Works by this artist (9 items)

Philip Guston, Painting No. 6, 1951, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1974.96
Painting No. 6
Date1951
oil on canvas
Not on view
Philip Guston, Hovering, 1976, brush and ink on paper, Smithsonian American Art Museum, Gift of Ruth and Jacob Kainen, 1986.59
Hovering
Date1976
brush and ink on paper
Not on view
Philip Guston, Head of a Woman, 1931, pen and ink, conte crayon, and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Director's Discretionary Fund, 1987.2
Head of a Woman
Date1931
pen and ink, conte crayon, and pencil on paper
Not on view

More Artworks from the Collection

William H. Johnson, Seated Female Nude With Black Background, ca. 1939-1940, tempera on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.219
Seated Female Nude With Black Background
Dateca. 1939-1940
tempera on paper
Not on view
William H. Johnson, Seated Female Nude With Red Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.194
Seated Female Nude With Red Hair
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Reclining Female Nude, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.242
Reclining Female Nude
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Reclining Female Nude, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.195
Reclining Female Nude
Dateca. 1939-1940
tempera on paperboard
Not on view