The Eclipse

Alma Thomas, The Eclipse, 1970, acrylic on canvas, Smithsonian American Art Museum, Gift of the artist, 1978.40.3
Alma Thomas, The Eclipse, 1970, acrylic on canvas, 62 in. × 49 34 in. (157.5 × 126.4 cm), Smithsonian American Art Museum, Gift of the artist, 1978.40.3

Artwork Details

Title
The Eclipse
Artist
Date
1970
Location
Not on view
Dimensions
62 in. × 49 34 in. (157.5 × 126.4 cm)
Credit Line
Gift of the artist
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Abstract
Object Number
1978.40.3

Artwork Description

The Eclipse was the last work Thomas created as part of her “Space” series. It was inspired by the total solar eclipse that occurred on March 7, 1970, and was visible from across the Eastern United States, including Washington, DC.

In a total eclipse, the moon blocks the view of the sun from Earth, appearing like a hole in the sky and allowing the sun’s corona, usually masked by bright light, to become visible. With its dark blue core and radiating rings of color, Thomas’s painting captures this rare moment of celestial alignment, its off-center composition suggesting the progressive movement of the moon across the sky.

Works by this artist (30 items)

Alma Thomas, Aquatic Gardens, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.7
Aquatic Gardens
Date1973
acrylic on canvas
On view
Alma Thomas, Snoopy--Early Sun Display on Earth, 1970, acrylic on canvas, Smithsonian American Art Museum, Gift of Vincent Melzac, 1976.140.1
Snoopy – Early Sun Display on Earth
Date1970
acrylic on canvas
On view
Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9
Autumn Leaves Fluttering in the Breeze
Date1973
acrylic on canvas
On view

Exhibitions

Alma Thomas, The Eclipse, 1970, acrylic on canvas
Composing Color: Paintings by Alma Thomas
September 15, 2023August 4, 2024
The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.

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Gene Davis, Microhead, 1982, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.173
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Gene Davis, Micro-Painting, ca. 1966-1968, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.142
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