- Electronic Superhighway: Continental U.S., Alaska, Hawaii
- Not on view
- approx. 15 x 40 x 4 ft.
- © Nam June Paik Estate
- Credit Line
- Gift of the artist
- Mediums Description
- fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound
- Object — written matter — map
- Object — furniture — television
- Landscape — United States
- Object Number
Paik augmented the flashing images "seen as though from a passing car" with audio clips from The Wizard of Oz, Oklahoma, and other screen gems, suggesting that our picture of America has always been influenced by film and television. Today, the Internet and twenty-four-hour broadcasting tend to homogenize the customs and accents of what was once a more diverse nation. Paik was the first to use the phrase "electronic superhighway," and this installation proposes that electronic media provide us with what we used to leave home to discover. But Electronic Superhighway is real. It is an enormous physical object that occupies a middle ground between the virtual reality of the media and the sprawling country beyond our doors.
Exhibition Label, Smithsonian American Art Museum, 2006
Nam June Paik is hailed as the father of video art and is credited with the first use of the term "electronic superhighway" in the 1970s. He recognized the potential for people from all parts of the world to collaborate via media, and he knew that media would completely transform our lives. Electronic Superhighway — constructed of 336 televisions, 50 DVD players, 3,750 feet of cable, and 575 feet of multicolored neon tubing — is a testament to the ways media defined one man's understanding of a diverse nation.
Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.