Emeline Willet

John Mix Stanley, Emeline Willet, ca. 1853, oil on canvas, Smithsonian American Art Museum, Gift of Dr. and Mrs. George A. Haas, 1982.104.2
John Mix Stanley, Emeline Willet, ca. 1853, oil on canvas, 34 1827 18 in. (86.768.9 cm), Smithsonian American Art Museum, Gift of Dr. and Mrs. George A. Haas, 1982.104.2
Free to use

Artwork Details

Title
Emeline Willet
Date
ca. 1853
Dimensions
34 1827 18 in. (86.768.9 cm)
Credit Line
Gift of Dr. and Mrs. George A. Haas
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait female — Willet, Emeline — waist length
Object Number
1982.104.2

Artwork Description

In the early 1850s, John Mix Stanley had a studio on Pennsylvania Avenue in Washington, D.C., where he created these portraits of Emeline and Berniah Willet (see also 1982.104.1). The Willets lived around the corner from Stanley and often walked past his studio to get to their carpentry shop on Eleventh Street. Emeline was born in 1807 in Montpelier, Vermont, and moved to Charles Town, West Virginia, with her father before marrying Berniah and settling in Washington. Berniah was born in 1799 and was described in an old record as a "man of learning" (E. J. Noell, handwritten letter, American Art Museum curatorial file). These two portraits were painted to hang side by side, with Berniah and Emeline facing one another. Stanley portrayed Berniah as a distinguished gray-haired man in his fifties, in formal wear with quite a haughty expression. In contrast, his wife wears a less severe lace-trimmed gown and gazes directly at the viewer with a half-smile. The difference in their demeanors reflects the nineteenth-century roles of men and women---the husband as head of his household with his wife offering loving support.

Works by this artist (4 items)

Osvaldo Salas, Rocky Marciano after fight with Ezzard Charles, 1955, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.35
Rocky Marciano after fight with Ezzard Charles
Date1955
gelatin silver print
Not on view
Osvaldo Salas, Sugar Ray Robinson with training bag, 1953, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.34
Sugar Ray Robinson with training bag
Date1953
gelatin silver print
Not on view
Osvaldo Salas, Sugar Ray Robinson, 1953, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.33
Sugar Ray Robinson
Date1953
gelatin silver print
Not on view
Osvaldo Salas, Archie Moore and Rocky Marciano, 1956, gelatin silver print, Smithsonian American Art Museum, Gift of Kenneth B. Pearl, 1997.118.32
Archie Moore and Rocky Marciano
Date1956
gelatin silver print
Not on view

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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
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Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view