Empress of the Blues

Romare Bearden, Empress of the Blues, 1974, acrylic and pencil on paper and printed paper on paperboard, Smithsonian American Art Museum, Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment, 1996.71
Romare Bearden, Empress of the Blues, 1974, acrylic and pencil on paper and printed paper on paperboard, 3648 in. (91.4121.9 cm.), Smithsonian American Art Museum, Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment, 1996.71

Artwork Details

Title
Empress of the Blues
Date
1974
Location
Not on view
Dimensions
3648 in. (91.4121.9 cm.)
Credit Line
Museum purchase in part through the Luisita L. and Franz H. Denghausen Endowment
Mediums
Mediums Description
acrylic and pencil on paper and printed paper on paperboard
Subjects
  • Figure group
  • African American
  • Performing arts — music — voice
  • Performing arts — music — band
Object Number
1996.71

Artwork Description

African American Art is a rich part of the Smithsonian American Art Museum's collection, which is the largest and one of the finest in the United States. The museum began acquiring work by African American artists in the 1960s, some in depth — such as Henry Ossawa Tanner, William H. Johnson, and Alma Thomas. Many of the social, political, and cultural movements that came to define the twentieth century in America and captured the imagination of artists — such as the Jazz Age, the Harlem Renaissance, and the civil rights movement — were rooted in African American communities.

Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.

More Artworks from the Collection

Alma Thomas, Atmospheric Effects I, 1970, acrylic and pencil on paper, Smithsonian American Art Museum, Gift of Vincent Melzac, 1976.140.3
Atmospheric Effects I
Date1970
acrylic and pencil on paper
Not on view
O. W. "Pappy" Kitchens, The Young and the Old, ca. 1978, acrylic and colored pencil on mounted paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.116
The Young and the Old
Dateca. 1978
acrylic and colored pencil on mounted paper
Not on view
Murray Reich, Study for Lobby Mural, 1979, mixed media: acrylic, pencil and paper collage on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.192
Study for Lobby Mural
Date1979
mixed media: acrylic, pencil and paper collage on paper
Not on view
Sister Gertrude Morgan, Come in my Room, come on in the Prayer Room, ca. 1970, tempera, acrylic, ballpoint pen, and pencil on paperboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., and museum purchase made possible by Ralph Cross Johnson, 1986.65.186
Come in my Room, come on in the Prayer Room
Dateca. 1970
tempera, acrylic, ballpoint pen, and pencil on paperboard
Not on view