Exploding Warhead, Test Area C‑80C, Eglin Air Force Base, Florida, from An American Index of the Hidden and Unfamiliar

Taryn Simon, Exploding Warhead, Test Area C-80C, Eglin Air Force Base, Florida, from An American Index of the Hidden and Unfamiliar, 2007, archival inkjet print, Smithsonian American Art Museum, Gift of the artist and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2014.26.3A-B, © 2007, Taryn Simon
Taryn Simon, Exploding Warhead, Test Area C-80C, Eglin Air Force Base, Florida, from An American Index of the Hidden and Unfamiliar, 2007, archival inkjet print, A: 37 14 × 44 12 in. (94.6 × 113.0 cm) B: 6 12 × 4 12 in. (16.5 × 11.4 cm), Smithsonian American Art Museum, Gift of the artist and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2014.26.3A-B, © 2007, Taryn Simon

Artwork Details

Title
Exploding Warhead, Test Area C‑80C, Eglin Air Force Base, Florida, from An American Index of the Hidden and Unfamiliar
Artist
Date
2007
Location
Not on view
Dimensions
A: 37 14 × 44 12 in. (94.6 × 113.0 cm) B: 6 12 × 4 12 in. (16.5 × 11.4 cm)
Copyright
© 2007, Taryn Simon
Credit Line
Gift of the artist and museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
archival inkjet print
Classifications
Subjects
  • Architecture Exterior — military
  • Object — weapon
  • Landscape — Florida
  • Occupation — military
Object Number
2014.26.3A-B

Artwork Description

In her photographic series An American Index of the Hidden and Unfamiliar, Taryn Simon presents scenes of the United States usually kept from general view. Her subjects relate to important aspects of American life -- including security, governance, entertainment, and health -- offering rare visual access to places like a nuclear waste facility, the CIA's art gallery, or the contraband room of an airport. This image, one of sixty-two in the series, shows the test explosion of a warhead on an Air Force base in Florida. Simon's pictures are always accompanied by text, which identifies the subject and offers a glimpse of the research, preparation, and diplomatic effort required to take the photograph. Making the series was a four-year process. In her dogged pursuit of the normally unseen, Simon has said she "wanted to confront the
divide between public and expert access."

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Self-Portrait with Pipe, ca. 1937, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.913
Self-Portrait with Pipe
Dateca. 1937
oil on canvas
On view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
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Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
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