Alex Prager draws inspiration from the rich color photography of William Eggleston and the Southern California moviemaking industry. Her studio mirrors that of large-scale film productions, resulting in the works that project a distinctive Hollywood aesthetic. Littered with parodied clichés of popular cinema and renderings of narrative tension, anxiety, and suspense, Face in the Crowd traces a spectrum of concerns: a fear of crowds and the desire to stand out among them; voyeurism and exhibitionism; the spectator’s gaze; and the inability to live up to expectations. This work showcases the anxiety of being swept up by the masses while trying to create and maintain a sense of self–conditions long present in the physical world–amplified in the virtual spaces we inhabit today.