Face in the Crowd

Alex Prager, Face in the Crowd, 2013, three-channel video installation, color, sound; 11:52 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2016.29.1, © 2013, Alex Prager

Artwork Details

Title
Face in the Crowd
Artist
Date
2013
Location
Not on view
Copyright
© 2013, Alex Prager
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums
Mediums Description
three-channel video installation, color, sound; 11:52 minutes
Classifications
Subjects
  • Figure group
Object Number
2016.29.1

Artwork Description

Alex Prager draws inspiration from the rich color photography of William Eggleston and the Southern California moviemaking industry. Her studio mirrors that of large-scale film productions, resulting in the works that project a distinctive Hollywood aesthetic. Littered with parodied clichés of popular cinema and renderings of narrative tension, anxiety, and suspense, Face in the Crowd traces a spectrum of concerns: a fear of crowds and the desire to stand out among them; voyeurism and exhibitionism; the spectator's gaze; and the inability to live up to expectations. This work showcases the anxiety of being swept up by the masses while trying to create and maintain a sense of self--conditions long present in the physical world--amplified in the virtual spaces we inhabit today.

Works by this artist (1 item)

Micah Evans, Raphine, 2015, lampworked glass, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2021.48.27
Raphine
Date2015
lampworked glass
Not on view

Exhibitions

Media - 2016.29.3 - SAAM-2016.29.3_1 - 124404
Watch This! New Directions on the Art of the Moving Image (5.0)
September 9, 2016March 5, 2017
Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection.

More Artworks from the Collection

Preston Singletary, Safe Journey, 2021, cast and sand-carved glass on wooden pedestal, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the alliance, and museum purchase through the Kenneth R. Trapp Acquisition Fund, 2021.82A-C, © 2021, Preston Singletary
Safe Journey
Date2021
cast and sand-carved glass on wooden pedestal
On view
Marvin Oliver, Salish Clam Basket, 2008, glass, Smithsonian American Art Museum, Gift of Sharon Karmazin, 2021.28
Salish Clam Basket
Date2008
glass
On view
Killer Whale Hat
Date2002
blown and sand carved glass
Not on view
Ché Rhodes, Untitled, 2007, glass, Smithsonian American Art Museum, Gift of Merrily Orsini and Frederick Heath, 2021.57A-D
Untitled
Date2007
glass
On view